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As Slow Our Ship

As slow our ship her foamy track
Against the wind was cleaving,
Her trembling pennant still look'd back
To that dear isle 'twas leaving.
So loath we part from all we love,
From all the links that bind us;
So turn our hearts as on we rove,
To those we've left behind us.

When, round the bowl, of vanish'd years
We talk, with joyous seeming, --
With smiles that might as well be tears,
So faint, so sad their beaming;
While memory brings us back again
Each early tie that twined us,

As in a Dream

To the melody of "Ru Meng Lin"

Last night in the light rain as rough winds blew,
My drunken sleep left me no merrier.
I question one that raised the curtain, who
Replies: "The wild quince trees -- are as they were."
But no, but no!
Their rose is waning, and their green leaves grow.

Art

In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt--a wind to freeze;
Sad patience--joyous energies;
Humility--yet pride and scorn;
Instinct and study; love and hate;
Audacity--reverence. These must mate,
And fuse with Jacob's mystic heart,
To wrestle with the angel--Art.

Arrival

And yet one arrives somehow,
finds himself loosening the hooks of
her dress
in a strange bedroom--
feels the autumn
dropping its silk and linen leaves
about her ankles.
The tawdry veined body emerges
twisted upon itself
like a winter wind . . . !

Arms and the Man

Young Croesus went to pay his call
On Colonel Sawbones, Caxton Hall:
And, though his wound was healed and mended,
He hoped he’d get his leave extended.

The waiting-room was dark and bare.
He eyed a neat-framed notice there
Above the fireplace hung to show
Disabled heroes where to go
For arms and legs; with scale of price,
And words of dignified advice
How officers could get them free.

Elbow or shoulder, hip or knee,
Two arms, two legs, though all were lost,
They’d be restored him free of cost.

Arlo Will

Did you ever see an alligator
Come up to the air from the mud,
Staring blindly under the full glare of noon?
Have you seen the stabled horses at night
Tremble and start back at the sight of a lantern?
Have you ever walked in darkness
When an unknown door was open before you
And you stood, it seemed, in the light of a thousand candles
Of delicate wax?
Have you walked with the wind in your ears
And the sunlight about you
And found it suddenly shine with an inner splendor?
Out of the mud many times,
Before many doors of light,

Arhan

When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.

Argument

Fingal when very young, making a voyage to the Orkney Islands, was driven by stress of weather into a bay of Scandinavia, near the residence of Starno, king of Lochlin. Starno invites Fingal to a feast. Fingal, doubting the faith of the king, and mindful of a former breach of hospitality, refuses to go. — Starno gathers together his tribes; Fingal resolves to defend himself. — Night coming on, Duth-maruno proposes to Fingal to observe the motions of the enemy. — The king himself undertakes the watch.

Archy's Song from Charles the First A Widow Bird Sate Mourning For Her Love

Heigho! the lark and the owl!
One flies the morning, and one lulls the night:
Only the nightingale, poor fond soul,
Sings like the fool through darkness and light.

'A widow bird sate mourning for her love
Upon a wintry bough;
The frozen wind crept on above,
The freezing stream below.

'There was no leaf upon the forest bare,
No flower upon the ground,
And little motion in the air
Except the mill-wheel's sound.'

Arcades

Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.

I. SONG.

Look Nymphs, and Shepherds look,
What sudden blaze of majesty
Is that which we from hence descry
Too divine to be mistook:
This this is she
To whom our vows and wishes bend,
Heer our solemn search hath end.

Fame that her high worth to raise,
Seem'd erst so lavish and profuse,