woman

Tell me, o muse, of that ingenious hero who travelled far and wide
after he had sacked the famous town of Troy. Many cities did he visit,
and many were the nations with whose manners and customs he was
acquainted; moreover he suffered much by sea while trying to save
his own life and bring his men safely home; but do what he might he
could not save his men, for they perished through their own sheer
folly in eating the cattle of the Sun-god Hyperion; so the god
prevented them from ever reaching home. Tell me, too, about all

The ocean said to me once,
"Look!
Yonder on the shore
Is a woman, weeping.
I have watched her.
Go you and tell her this --
Her lover I have laid
In cool green hall.
There is wealth of golden sand
And pillars, coral-red;
Two white fish stand guard at his bier.

"Tell her this
And more --
That the king of the seas
Weeps too, old, helpless man.
The bustling fates
Heap his hands with corpses
Until he stands like a child
With a surplus of toys."

'Twas in the year of 1746, on a fine summer afternoon,
When trees and flowers were in full bloom,
That widow Riddel sat knitting stockings on a little rustic seat,
Which her only son had made for her, which was very neat.

The cottage she lived in was in the wilds of Nithsdale,
Where many a poor soul had cause to bewail
The loss of their shealings, that were burned to the ground,
By a party of fierce British dragoons that chanced to come round.

While widow Riddel sat in her garden she heard an unusual sound,

As it fell upon a day
In the merry month of May,
Sitting in a pleasant shade
Which a grove of myrtles made,
Beasts did leap and birds did sing,
Trees did grow and plants did spring;
Every thing did banish moan,
Save the nightingale alone.
She, poor bird, as all forlorn,
Lean'd her breast up-till a thorn
And there sung the doleful'st ditty,
That to hear it was great pity.
Fie, fie, fie, now would she cry,
Teru, teru, by and by;

I look into the aching womb of night;
I look across the mist that masks the dead;
The moon is tired and gives but little light,
The stars have gone to bed.

The earth is sick and seems to breathe with pain;
A lost wind whimpers in a mangled tree;
I do not see the foul, corpse-cluttered plain,
The dead I do not see.

The slain I would not see . . . and so I lift
My eyes from out the shambles where they lie;
When lo! a million woman-faces drift

A man roams the streets with a basket
of freestone peaches hollering, "Peaches,
peaches, yellow freestone peaches for sale."

My grandfather in his prime could outshout
the Tigers of Wrath or the factory whistles
along the river. Hamtramck hungered

for yellow freestone peaches, downriver
wakened from a dream of work, Zug Island danced
into the bright day glad to be alive.

Full-figured women in their negligees
streamed into the streets from the dark doorways
to demand in Polish or Armenian

Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,

Children, I come back today
To tell you a story of the long dark way
That I had to climb, that I had to know
In order that the race might live and grow.
Look at my face -- dark as the night --
Yet shining like the sun with love's true light.
I am the dark girl who crossed the red sea
Carrying in my body the seed of the free.
I am the woman who worked in the field
Bringing the cotton and the corn to yield.
I am the one who labored as a slave,
Beaten and mistreated for the work that I gave --

Those groans men use
passing a woman on the street
or on the steps of the subway

to tell her she is a female
and their flesh knows it,

are they a sort of tune,
an ugly enough song, sung
by a bird with a slit tongue

but meant for music?

Or are they the muffled roaring
of deafmutes trapped in a building that is
slowly filling with smoke?

Perhaps both.

Such men most often
look as if groan were all they could do,
yet a woman, in spite of herself,

IN the sorrow and the terror of the nations,
In a world shaken through by lamentations,
Shall I dare know happiness
That I stitch a baby’s dress?

So: for I shall be a mother with the mothers,
I shall know the mother’s anguish like the others,
Present joy must surely start
For the life beneath my heart.

Gods and men, ye know a woman’s glad unreason,
How she cannot bend and weep but in her season,
Let my hours with rapture glow