women

Shall I get drunk or cut myself a piece of cake,
a pasty Syrian with a few words of English
or the Turk who says she is a princess--she dances
apparently by levitation? Or Marcelle, Parisienne
always preoccupied with her dull dead lover:
she has all the photographs and his letters
tied in a bundle and stamped Decede in mauve ink.
All this takes place in a stink of jasmin.

But there are the streets dedicated to sleep
stenches and the sour smells, the sour cries
do not disturb their application to slumber

Partly to verify an era,
partly also to pass the time,
last night I picked up a collection
of Ptolemaic epigrams to read.
The plentiful praises and flatteries
for everyone are similar. They are all brilliant,
glorious, mighty, beneficent;
each of their enterprises the wisest.
If you talk of the women of that breed, they too,
all the Berenices and Cleopatras are admirable.

When I had managed to verify the era
I would have put the book away, had not a small
and insignificant mention of king Caesarion

Who cleaned up the Last Supper?
These would be my people.
Maybe hung over, wanting
desperately a better job,
standing with rags
in hand as the window
beckons with hills
of yellow grass. In Da Vinci,
the blue robed apostle
gesturing at Christ
is saying, give Him the check.
What a mess they've made
of their faith. My God
would put a busboy
on earth to roam
among the waiters
and remind them to share
their tips. The woman
who finished one
half eaten olive

But the artist sat the nude model on the table and moved her legs apart. The girl hardly resisted and merely covered her face with her hands.

Amonova and Strakhova said that first the girl should have been taken off to the bathroom and washed between her legs, as any whiff of such an aroma was simply repulsive.
The girl wanted to jump up but the artist held her back and asked her to take no notice and sit there, just as he had placed her. The girl, not knowing what she was supposed to do, sat back down again.

'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,

This is the quiet hour; the theaters
Have gathered in their crowds, and steadily
The million lights blaze on for few to see,
Robbing the sky of stars that should be hers.
A woman waits with bag and shabby furs,
A somber man drifts by, and only we
Pass up the street unwearied, warm and free,
For over us the olden magic stirs.

Beneath the liquid splendor of the lights
We live a little ere the charm is spent;
This night is ours, of all the golden nights,
The pavement an enchanted palace floor,

I thought of killing myself because I am only a bricklayer
and you a woman who loves the man who runs a drug store.

I don't care like I used to; I lay bricks straighter than I
used to and I sing slower handling the trowel afternoons.

When the sun is in my eyes and the ladders are shaky and the
mortar boards go wrong, I think of you.

I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track --
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast --
Anyway, I'll stay at present at a boarding-house in town
Drinking beer and lemon-squashes, taking baths and cooling down.

". . . and will supply details to guard the Blood River Bridge." District Orders-Lines of Communication, South African War.


Sudden the desert changes,
The raw glare softens and clings,
Till the aching Oudtshoorn ranges
Stand up like the thrones of Kings --

Ramparts of slaughter and peril --
Blazing, amazing, aglow --
'Twixt the sky-line's belting beryl
And the wine-dark flats below.

Royal the pageant closes,
Lit by the last of the sun --
Opal and ash-of-roses,

A yellow leaf from the darkness
Hops like a frog before me.
Why should I start and stand still?

I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.