women

But the artist sat the nude model on the table and moved her legs apart. The girl hardly resisted and merely covered her face with her hands.

Amonova and Strakhova said that first the girl should have been taken off to the bathroom and washed between her legs, as any whiff of such an aroma was simply repulsive.
The girl wanted to jump up but the artist held her back and asked her to take no notice and sit there, just as he had placed her. The girl, not knowing what she was supposed to do, sat back down again.

'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,

This is the quiet hour; the theaters
Have gathered in their crowds, and steadily
The million lights blaze on for few to see,
Robbing the sky of stars that should be hers.
A woman waits with bag and shabby furs,
A somber man drifts by, and only we
Pass up the street unwearied, warm and free,
For over us the olden magic stirs.

Beneath the liquid splendor of the lights
We live a little ere the charm is spent;
This night is ours, of all the golden nights,
The pavement an enchanted palace floor,

I thought of killing myself because I am only a bricklayer
and you a woman who loves the man who runs a drug store.

I don't care like I used to; I lay bricks straighter than I
used to and I sing slower handling the trowel afternoons.

When the sun is in my eyes and the ladders are shaky and the
mortar boards go wrong, I think of you.

I am back from up the country -- very sorry that I went --
Seeking for the Southern poets' land whereon to pitch my tent;
I have lost a lot of idols, which were broken on the track --
Burnt a lot of fancy verses, and I'm glad that I am back.
Further out may be the pleasant scenes of which our poets boast,
But I think the country's rather more inviting round the coast --
Anyway, I'll stay at present at a boarding-house in town
Drinking beer and lemon-squashes, taking baths and cooling down.

". . . and will supply details to guard the Blood River Bridge." District Orders-Lines of Communication, South African War.


Sudden the desert changes,
The raw glare softens and clings,
Till the aching Oudtshoorn ranges
Stand up like the thrones of Kings --

Ramparts of slaughter and peril --
Blazing, amazing, aglow --
'Twixt the sky-line's belting beryl
And the wine-dark flats below.

Royal the pageant closes,
Lit by the last of the sun --
Opal and ash-of-roses,

A yellow leaf from the darkness
Hops like a frog before me.
Why should I start and stand still?

I was watching the woman that bore me
Stretched in the brindled darkness
Of the sick-room, rigid with will
To die: and the quick leaf tore me
Back to this rainy swill
Of leaves and lamps and traffic mingled before me.

There's a crack in the city—down that sharp street
In couples, and armed, tramp rozzers on beat.
Like a joss, silhouetted across the pane,
A Chinese face watches down Brogan’s Lane,
Brogan’s Lane, Brogan’s Lane,
A reeling moon blinks over Brogan’s Lane.

Flash Fred, when he dives on a red lot, sneaks thro’
To moscow the swag with a Polaky Jew.
Tho’ rooked by old Shylock, he needn’t complain,
The melting pot bubbles in Brogan’s Lane,
Brogan’s Lane, Brogan’s Lane,

Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim

billowed over some minor constellation
under repair. Then, on Broadway, red wings
in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
like those animated knives that unfold all night
in jewelers' windows. For sale,

glass eyes turned outward toward the rain,
the birds lined up like the endless flowers
and cheap gems, the makeshift tables

I ain't the kind of bloke as takes to any steady job;
I drives me bottle cart around the town;
A bloke what keeps 'is eyes about can always make a bob --
I couldn't bear to graft for every brown.
There's lots of handy things about in everybody's yard,
There's cocks and hens a-runnin' to an' fro,
And little dogs what comes and barks -- we take 'em off their guard
And we puts 'em with the Empty Bottle-O!

Chorus --
So it's any "Empty bottles! Any empty bottle-O!"
You can hear us round for half a mile or so