Thespis Act II

DRAMATIS PERSONAE

GODS

Jupiter, Aged Diety
Apollo, Aged Diety
Mars, Aged Diety
Diana, Aged Diety
Mercury

THESPIANS

Thespis
Sillimon
TimidonTipseion
Preposteros
Stupidas
Sparkeio n
Nicemis
Pretteia
Daphne
Cymon

ACT II - The same Scene, with the Ruins Restored


SCENE-the same scene as in Act I with the exception that in place


There Was Crimson Clash of War

There was crimson clash of war.
Lands turned black and bare;
Women wept;
Babes ran, wondering.
There came one who understood not these things.
He said, "Why is this?"
Whereupon a million strove to answer him.
There was such intricate clamour of tongues,
That still the reason was not.


There was a land where lived no violets

There was a land where lived no violets.
A traveller at once demanded : "Why?"
The people told him:
"Once the violets of this place spoke thus:
'Until some woman freely gives her lover
To another woman
We will fight in bloody scuffle.'"
Sadly the people added:
"There are no violets here."


Theodore the Poet

As a boy, Theodore, you sat for long hours
On the shore of the turbid Spoon
With deep-set eye staring at the door of the crawfish's burrow,
Waiting for him to appear, pushing ahead,
First his waving antennae, like straws of hay,
And soon his body, colored like soap-stone,
Gemmed with eyes of jet.
And you wondered in a trance of thought
What he knew, what he desired, and why he lived at all.
But later your vision watched for men and women
Hiding in burrows of fate amid great cities,


The Winding Stair

My Soul. I summon to the winding ancient stair;
Set all your mind upon the steep ascent,
Upon the broken, crumbling battlement,
Upon the breathless starlit air,
'Upon the star that marks the hidden pole;
Fix every wandering thought upon
That quarter where all thought is done:
Who can distinguish darkness from the soul

My Self. The consecretes blade upon my knees
Is Sato's ancient blade, still as it was,
Still razor-keen, still like a looking-glass
Unspotted by the centuries;


The Wood-Cutter

The sky is like an envelope,
One of those blue official things;
And, sealing it, to mock our hope,
The moon, a silver wafer, clings.
What shall we find when death gives leave
To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the fag-end of earth;
O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;


The Woman At The Gate

"Where is your little boy to-day?"
I asked her at the gate.
"I used to see him at his play,
And often I would wait:
He was so beautiful, so bright,
I watched him with delight.

"He had a tiny motor-car
And it was painted red;
He wound it up; it ran so far,
So merrily it sped.
I think he told me that it was
A gift from Santa Claus."

The woman said: "It ran so far
He followed it with joy.
Then came a real motor-car,--


The Wind begun to knead the Grass

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[first version]

The Wind begun to knead the Grass—
As Women do a Dough—
He flung a Hand full at the Plain—
A Hand full at the Sky—
The Leaves unhooked themselves from Trees—
And started all abroad—
The Dust did scoop itself like Hands—
And throw away the Road—
The Wagons—quickened on the Street—
The Thunders gossiped low—
The Lightning showed a Yellow Head—
And then a livid Toe—
The Birds put up the Bars to Nests—
The Cattle flung to Barns—
Then came one drop of Giant Rain—


There Are Sounds of Mirth

There are sounds of mirth in the night-air ringing,
And lamps from every casement shown;
While voices blithe within are singing,
That seem to say "Come," in every tone.
Ah! once how light, in Life's young season,
My heart had leap'd at that sweet lay;
Nor paused to ask of greybeard Reason
Should I the syren call obey.

And, see -- the lamps still livelier glitter,
The syren lips more fondly sound;
No, seek, ye nymphs, some victim fitter
To sink in your rosy bondage bound.


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