"Though He slay me, yet will I trust in Him"

Shall hearts that beat no base retreat
In youth's magnanimous years -
Ignoble hold it, if discreet
When interest tames to fears;
Shall spirits that worship light
Perfidious deem its sacred glow,
Recant, and trudge where worldlings go,
Conform and own them right?

Shall Time with creeping influence cold
Unnerve and cow? The heart
Pine for the heartless ones enrolled
With palterers of the mart?
Shall faith abjure her skies,
Or pale probation blench her down

Quite unexpectedly, as Vasserot
The armless ambidextrian was lighting
A match between his great and second toe,
And Ralph the lion was engaged in biting
The neck of Madame Sossman while the drum
Pointed, and Teeny was about to cough
In waltz-time swinging Jocko by the thumb
Quite unexpectedly to top blew off:

And there, there overhead, there, there hung over
Those thousands of white faces, those dazed eyes,
There in the starless dark, the poise, the hover,
There with vast wings across the cancelled skies,

Here, at the end of the world,
the flowers bleed
as if they were hearts,
the hearts ooze a darkness
like india ink,
& poets dip their pens in
& they write.

"Here, at the end of the world,"
they write,
not knowing what it means.
"Here, where the sky nurses on black milk,
where the smokestack feed the sky,
where the trees tremble in terror
& people come to resemble them. . . . "

Here, at the end of the world,
the poets are bleeding.
Writing & bleeding
are thought to be the same;

To B. T.


Dead-tired, dog-tired, as the vivid day
Fails and slackens and fades away.--
The sky that was so blue before
With sudden clouds is shrouded o'er.
Swiftly, stilly the mists uprise,
Till blurred and grey the landscape lies.

* * * * * * *

All day we have plied the oar; all day
Eager and keen have said our say
On life and death, on love and art,
On good or ill at Nature's heart.
Now, grown so tired, we scarce can lift
The lazy oars, but onward drift.
And the silence is only stirred

In all its raucous impudence
Life writhes, cavorts in pallid light,
With little cause or consequence;
And when, with darkling skies, the night

Casts over all its sensuous balm,
Quells hunger's pangs and, in like wise,
Quells shame beneath its pall of calm,
"Aha, at last!" the Poet sighs.

"My mind, my bones, yearn, clamoring
For sweet repose unburdening.
Heart full of dire, funeral thought,

I will lie out; your folds will cling
About me: veils of shadow wrought,
O darkness, cool and comforting!"

For John Malcolm Brinnin and Bill Read: Duxbury


It was cold and windy, scarcely the day
to take a walk on that long beach
Everything was withdrawn as far as possible,
indrawn: the tide far out, the ocean shrunken,
seabirds in ones or twos.
The rackety, icy, offshore wind
numbed our faces on one side;
disrupted the formation
of a lone flight of Canada geese;
and blew back the low, inaudible rollers
in upright, steely mist.

The sky was darker than the water

As his bark dashed away on the night-shrouded deep,
And out towards the South he was gazing,
First there passed o’er his spirit a darkness like sleep,
Then the light of a vision amazing!
As rises the moon, from the white waves afar
Came a goddess, it seemed, of love, wisdom, and war,
And on her bright helmet, encircling a star,
Behold there was graven “Australia.”
Her robes were of green, like the mantle of spring
Newly spread by the streams that so mildly
Flow on through yon flock-dappled plains, or that sing

(The fantasia of a fallen gentleman on a cold, bitter night.)
Once, in finesse of fiddles found I ecstasy,

In the flash of gold heels on the hard pavement.
Now see I
That warmth's the very stuff of poesy.
Oh, God, make small
The old star-eaten blanket of the sky,
That I may fold it round me and in comfort lie.

In a glade of an elfin forest
When Sussex was Eden-new,
I came on an elvish painter
And watched as his picture grew,
A harebell nodded beside him.
He dipt his brush in the dew.

And it might be the wild thyme round him
That shone in the dark strange ring;
But his brushes were bees' antennae,
His knife was a wasp's blue sting;
And his gorgeous exquisite palette
Was a butterfly's fan-shaped wing.

And he mingled its powdery colours,
And painted the lights that pass,
On a delicate cobweb canvas

Looking back in my mind I can see
The white sun like a tin plate
Over the wooden turning of the weeds;
The street jerking --a wet swing--
To end by the wall the children sang.

The thin grass by the girls' door,
Trodden on, straggling, yellow and rotten,
And the gaunt field with its one tied cow--
The dead land waking sadly to my life--
Stir, and curl deeper in the eyes of time.

The rotting pumpkin under the stairs
Bundled with switches and the cold ashes
Still holds for me, in its unwavering eyes,