work

What time the poet hath hymned
The writhing maid, lithe-limbed,
Quivering on amaranthine asphodel,
How can he paint her woes,
Knowing, as well he knows,
That all can be set right with calomel?

When from the poet's plinth
The amorous colocynth
Yearns for the aloe, faint with rapturous thrills,
How can he hymn their throes
Knowing, as well he knows,
That they are only uncompounded pills?

Is it, and can it be,
Nature hath this decree,
Nothing poetic in the world shall dwell?

In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.

Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,

This poem is for my wife.
I have made it plainly and honestly:
The mark is on it
Like the burl on the knife.

I have not made it for praise.
She has no more need for praise
Than summer has
Or the bright days.

In all that becomes a woman
Her words and her ways are beautiful:
Love's lovely duty,
the well-swept room.

Wherever she is there is sun
And time and a sweet air:
Peace is there,
Work done.

There are always curtains and flowers
And candles and baked bread

All day long they come and go--
Pittypat and Tippytoe;
Footprints up and down the hall,
Playthings scattered on the floor,
Finger-marks along the wall,
Tell-tale smudges on the door--
By these presents you shall know
Pittypat and Tippytoe.
How they riot at their play!
And a dozen times a day
In they troop, demanding bread--
Only buttered bread will do,
And the butter must be spread
Inches thick with sugar too!
And I never can say "No,

My work, I'm very careful about it, and I love it.
But today I'm discouraged by how slowly it's going.
The day has affected my mood.
It gets darker and darker. Endless wind and rain.
I'm more in the mood for looking than for writing.
In this picture, I'm now gazing at a handsome boy
who is lying down close to a spring,
exhausted from running.
What a handsome boy; what a heavenly noon
has caught him up in sleep.
I sit and gaze like this for a long time,
recovering through art from the effort of creating it.

LOVE guards the roses of thy lips
And flies about them like a bee;
If I approach he forward skips,
And if I kiss he stingeth me.

Love in thine eyes doth build his bower,
And sleeps within their pretty shine;
And if I look the boy will lower,
And from their orbs shoot shafts divine.

Love works thy heart within his fire,
And in my tears doth firm the same;
And if I tempt it will retire,
And of my plaints doth make a game.

Love, let me cull her choicest flowers;

I painted on the roof of a skyscraper.
I painted a long while and called it a day's work.
The people on the corner swarmed and the traffic cop's whistle never let up all afternoon.
They were the same as bugs, many bugs on their way--
These people on the go or at a standstill;
And the traffic cop a spot of blue, a splinter of brass,
Where the black tids ran around him
And he kept the street. I painted a long while
And called it a day's work.

I have been in Pennsylvania,
In the Monongahela and Hocking Valleys.

In the blue Susquehanna
On a Saturday morning
I saw a mounted constabulary go by,
I saw boys playing marbles.
Spring and the hills laughed.

And in places
Along the Appalachian chain,
I saw steel arms handling coal and iron,
And I saw the white-cauliflower faces
Of miner's wives waiting for the men to come home from the day's work.

I made color studies in crimson and violet

Horses and men are just alike.
There was my stallion, Billy Lee,
Black as a cat and trim as a deer,
With an eye of fire, keen to start,
And he could hit the fastest speed
Of any racer around Spoon River.
But just as you'd think he couldn't lose,
With his lead of fifty yards or more,
He'd rear himself and throw the rider,
And fall back over, tangled up,
Completely gone to pieces.
You see he was a perfect fraud:
He couldn't win, he couldn't work,
He was too light to haul or plow with,

In a vision Liberty stood
By the childless charm-stricken bed
Where, barren of glory and good,
Knowing nought if she would not or would,
England slept with her dead.

Her face that the foam had whitened,
Her hands that were strong to strive,
Her eyes whence battle had lightened,
Over all was a drawn shroud tightened
To bind her asleep and alive.

She turned and laughed in her dream
With grey lips arid and cold;
She saw not the face as a beam
Burn on her, but only a gleam