Grant me the moment, the lovely moment
That I may lean forth to see
The other buds, the other blooms,
The other leaves on the tree:

That I may take into my bosom
The breeze that is like his brother,
But stiller, lighter, whose faint laughter
Exhoes the joy of the other.

Above on the blue and white cloud-spaces
There are small clouds at play.
I watch their remote, mysterious play-time
In the other far-away.

Grant I may hear the small birds singing
the song that the silence knows...

You may have heard of Proclus, sir,
If you have been a reader;
And you may know a bit of her
Who helped the Lycian leader.
I have my doubts -- the head you "sport"
(Now mark me, don't get crusty)
Is hardly of the classic sort --
Your lore, I think, is fusty.

Most likely you have stuck to tracts
Flushed through with flaming curses --
I judge you, neighbour, by your acts --
So don't you damn my verses.

But to my theme. The Asian sage,
Whose name above I mention,
Lived in the pitchy Pagan age,

The West Village by then was changing; before long
the rundown brownstones at its farthest edge
would have slipped into trendier hands. She lived,
impervious to trends, behind a potted hedge of
rubber trees, with three cats, a canary—refuse
from whose cage kept sifting down and then
germinating, a yearning seedling choir, around
the saucers on the windowsill—and an inexorable
cohort of roaches she was too nearsighted to deal
with, though she knew they were there, and would
speak of them, ruefully, as of an affliction that

As we hurry away to the end, my friend,
Of this sad little farce called existence,
We are sure that the future will bring one thing,
And that is the grave in the distance.
And so when our lives run along all wrong,
And nothing seems real or certain,
We can comfort ourselves with the thought (or not)
Of that spectre behind the curtain.

But we haven’t much time to repine or whine,
Or to wound or jostle each other;
And the hour for us each is to-day, I say,
If we mean to assist a brother.

We are very slightly changed
From the semi-apes who ranged
India's Prehistoric clay;
He that drew the longest bow
Ran his brother down, you know,
As we run men down to-day.

"Dowb," the first of all his race,
Met the Mammoth face to face
On the lake or in the cave:
Stole the steadiest canoe,
Ate the quarry others slew,
Died -- and took the finest grave.

When they scratched the reindeer-bone,
Some one made the sketch his own,
Filched it from the artist -- then,
Even in those early days,
Won a simple Viceroy's praise

Come, brothers, share the fellowship
We celebrate to-night;
There's grace of song on every lip
And every heart is light!
But first, before our mentor chimes
The hour of jubilee,
Let's drink a health to good old times,
And good times yet to be!
Clink, clink, clink!
Merrily let us drink!
There's store of wealth
And more of health
In every glass, we think.
Clink, clink, clink!
To fellowship we drink!
And from the bowl
No genial soul

The rain's cold grains are silver-gray
Sharp as golden sands,
A bell is clanging, people sway
Hanging by their hands.

Supple hands, or gnarled and stiff,
Snatch and catch and grope;
That face is yellow-pale, as if
The fellow swung from rope.

Dull like pebbles, sharp like knives,
Glances strike and glare,
Fingers tangle, Bluebeard's wives
Dangle by the hair.

Orchard of the strangest fruits
Hanging from the skies;
Brothers, yet insensate brutes
Who fear each other's eyes.

One Christmas was so much like another, in those years around the sea-town corner now and out of all sound except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve nights when I was six.

I’M travellin’ down the Castlereagh, and I’m a station hand,
I’m handy with the ropin’ pole, I’m handy with the brand,
And I can ride a rowdy colt, or swing the axe all day,
But there’s no demand for a station-hand along the Castlereagh. +

So it’s shift, boys, shift, for there isn’t the slightest doubt
That we’ve got to make a shift to the stations further out,
With the pack-horse runnin’ after, for he follows like a dog,
We must strike across the country at the old jig-jog.

From the first it had been like a
Ballad. It had the beat inevitable. It had the blood.
A wildness cut up, and tied in little bunches,
Like the four-line stanzas of the ballads she had never quite
understood--the ballads they had set her to, in school.


Herself: the milk-white maid, the "maid mild"
Of the ballad. Pursued
By the Dark Villain. Rescued by the Fine Prince.
The Happiness-Ever-After.
That was worth anything.
It was good to be a "maid mild."
That made the breath go fast.


Her bacon burned. She