The press of the Spoon River Clarion was wrecked,
And I was tarred and feathered,
For publishing this on the day the Anarchists were hanged in Chicago:
"I saw a beautiful woman with bandaged eyes
Standing on the steps of a marble temple.
Great multitudes passed in front of her,
Lifting their faces to her imploringly.
In her left hand she held a sword.
She was brandishing the sword,
Sometimes striking a child, again a laborer,
Again a slinking woman, again a lunatic.
In her right hand she held a scale;

I rise when I please, when I please I lie down,
Nor seek, what I care not a rush for, renown;
The rattle called wealth I have learnt to despise,
Nor aim to be either important or wise.

Let women & children & children-like men
Pursue the false trollop the world has called fame.
Who just as enjoyed, is instantly flown
And leaves disappointment, the hag, in her room.

If the world is content not to stand in my way
The world may jog on both by night and by day
Unimpeded by me - not a straw will I put

I knew three sisters,--all were sweet;
Wishful to wed was I,
And wondered which would mostly meet
The matrimonial tie.
I asked the first what fate would she
Wish joy of life to bring to her.
She answered: 'I would like to be
A concert singer.'
II
I asked the second, for my mind
Was set on nuptial noosing,
Unto what lot was she inclined
If she could have the choosing?
Said she: 'For woman I can see
No fortune finer,
Than to go in for Art and be

I

I doubt if ten men in all Tilbury Town
Had ever shaken hands with Captain Craig,
Or called him by his name, or looked at him
So curiously, or so concernedly,
As they had looked at ashes; but a few—
Say five or six of us—had found somehow
The spark in him, and we had fanned it there,
Choked under, like a jest in Holy Writ,
By Tilbury prudence. He had lived his life
And in his way had shared, with all mankind,
Inveterate leave to fashion of himself,
By some resplendent metamorphosis,
Whatever he was not. And after time,

Blue and gold, and mist and sunlight,
Veils of colour blent and blown
In melodic monotone.
Dark and bright, and white and dun light
Clash and flash, as into one light
Trembling thro’ an opal stone,
Over green robes of the mountain
And the blue skirts of the sea,
Spreading from a sacred fountain
Hymeneal harmony.

Drums and trumpets of the ocean,
Oboe spirits of the wind,
Violins of forest kind,
Flutes that breathe the trees’ devotion,
Blending, hymn the joyous motion

Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And ``we are unknown," said Kung,
``You will take up charioteering?
``Then you will become known,
``Or perhaps I should take up charioterring, or archery?
``Or the practice of public speaking?''
And Tseu-lou said, ``I would put the defences in order,''
And Khieu said, ``If I were lord of a province
``I would put it in better order than this is.''

Kung walked
by the dynastic temple
and into the cedar grove,
and then out by the lower river,
And with him Khieu Tchi
and Tian the low speaking
And "we are unknown," said Kung,
"You will take up charioteering?
"Then you will become known,
"Or perhaps I should take up charioterring, or archery?
"Or the practice of public speaking?"
And Tseu-lou said, "I would put the defences in order,"
And Khieu said, "If I were lord of a province
"I would put it in better order than this is."

O Child of Nations, giant-limbed,
Who stand'st among the nations now
Unheeded, unadored, unhymned,
With unanointed brow, --
How long the ignoble sloth, how long
The trust in greatness not thine own?
Surely the lion's brood is strong
To front the world alone!
How long the indolence, ere thou dare
Achieve thy destiny, seize thy fame, --
Ere our proud eyes behold thee bear
A nation's franchise, nation's name?

The Saxon force, the Celtic fire,
These are thy manhood's heritage!

Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)

(This is the school in which we learn...)

Call it a good marriage -
For no one ever questioned
Her warmth, his masculinity,
Their interlocking views;
Except one stray graphologist
Who frowned in speculation
At her h's and her s's,
His p's and w's.

Though few would still subscribe
To the monogamic axiom
That strife below the hip-bones
Need not estrange the heart,
Call it a good marriage:
More drew those two together,
Despite a lack of children,
Than pulled them apart.

Call it a good marriage:
They never fought in public,