child

'Twas in the year of 1887, which many people will long remember,
The burning of the Theatre at Exeter on the 5th of September,
Alas! that ever-to-be-remembered and unlucky night,
When one hundred and fifty lost their lives, a most agonising sight.

The play on this night was called "Romany Rye,"
And at act four, scene third, Fire! Fire! was the cry;
And all in a moment flames were seen issuing from the stage,
Then the women screamed frantically, like wild beasts in a cage.

Then a panic ensued, and each one felt dismayed,

We build with strength and deep tower wall
That shall be shattered thus and thus.
And fair and great are court and hall,
But how fair--this is not for us,
Who know the lack that lurks in all.

We know, we know how all too bright
The hues are that our painting wears,
And how the marble gleams too white;--
We speak in unknown tongues, the years
Interpret everything aright,

And crown with weeds our pride of towers,
And warm our marble through with sun,
And break our pavements through with flowers,

Brown and agile child, the sun which forms the fruit
And ripens the grain and twists the seaweed
Has made your happy body and your luminous eyes
And given your mouth the smile of water.

A black and anguished sun is entangled in the twigs
Of your black mane when you hold out your arms.
You play in the sun as in a tidal river
And it leaves two dark pools in your eyes.

Brown and agile child, nothing draws me to you,
Everything pulls away from me here in the noon.
You are the delirious youth of bee,

(Time Night. Scene the woods.)


Where shall I turn me? whither shall I bend
My weary way? thus worn with toil and faint
How thro' the thorny mazes of this wood
Attain my distant dwelling? that deep cry
That rings along the forest seems to sound
My parting knell: it is the midnight howl
Of hungry monsters prowling for their prey!
Again! oh save me--save me gracious Heaven!
I am not fit to die!
Thou coward wretch
Why heaves thy trembling heart? why shake thy limbs

(Time, Noon.)


HUMPHREY:

See'st thou not William that the scorching Sun
By this time half his daily race has run?
The savage thrusts his light canoe to shore
And hurries homeward with his fishy store.
Suppose we leave awhile this stubborn soil
To eat our dinner and to rest from toil!


WILLIAM:

Agreed. Yon tree whose purple gum bestows
A ready medicine for the sick-man's woes,
Forms with its shadowy boughs a cool retreat
To shield us from the noontide's sultry heat.

(Time, Morning. Scene, the Shore.)

Once more to daily toil--once more to wear
The weeds of infamy--from every joy
The heart can feel excluded, I arise
Worn out and faint with unremitting woe;
And once again with wearied steps I trace
The hollow-sounding shore. The swelling waves
Gleam to the morning sun, and dazzle o'er
With many a splendid hue the breezy strand.
Oh there was once a time when ELINOR
Gazed on thy opening beam with joyous eye
Undimm'd by guilt and grief! when her full soul

She has gone,-- she has left us in passion and pride,--
Our stormy-browed sister, so long at our side!
She has torn her own star from our firmament's glow,
And turned on her brother the face of a foe!

Oh, Caroline, Caroline, child of the sun,
We can never forget that our hearts have been one,--
Our foreheads both sprinkled in Liberty's name,
From the fountain of blood with the finger of flame!

You were always too ready to fire at a touch;

Roses, their sharp spines being gone,
Not royal in their smells alone,
   But in their hue;
Maiden pinks, of odour faint,
Daisies smell-less, yet most quaint,
   And sweet thyme true;

Primrose, firstborn child of Ver;
Merry springtime's harbinger,
   With her bells dim;
Oxlips in their cradles growing,
Marigolds on death-beds blowing,
   Larks'-heels trim;

All dear Nature's children sweet
Lie 'fore bride and bridegroom's feet,
   Blessing their sense!

Under Grand Central's tattered vault
--maybe half a dozen electric stars still lit--
one saxophone blew, and a sheer black scrim

billowed over some minor constellation
under repair. Then, on Broadway, red wings
in a storefront tableau, lustrous, the live macaws

preening, beaks opening and closing
like those animated knives that unfold all night
in jewelers' windows. For sale,

glass eyes turned outward toward the rain,
the birds lined up like the endless flowers
and cheap gems, the makeshift tables

"Had we never loved so kindly,
Had we never loved so blindly,
Never met or never parted,
We had ne'er been broken-hearted." — Burns


TO
THE RIGHT HONOURABLE LORD HOLLAND,
THIS TALE IS INSCRIBED,
WITH EVERY SENTIMENT OF REGARD AND RESPECT,
BY HIS GRATEFULLY OBLIGED AND SINCERE FRIEND,

BYRON.



THE BRIDE OF ABYDOS



CANTO THE FIRST.

I.

Know ye the land where cypress and myrtle
Are emblems of deeds that are done in their clime,