Sweet maiden, why disguise
The beauty of your eyes
With glasses black?
Although I'm well aware
That you are more than fair,
Allure you lack.
For as I stare at you
I ask if brown or blue
Your optics are?
But though I cannot see,
I'm sure that each must be
Bright as a star.
II
That may be green or grey,
'Tis very hard to say,
Or violet;
The lovelight in their glow
Alas, I'll never know,
To my regret.
In some rhyme-book I've read,

TAKE the harp, but very softly for our brother touch the strings:
Wind and wood shall help to wail him, waves and mournful mountain-springs.
Take the harp, but very softly, for the friend who grew so old
Through the hours we would not hear of—nights we would not fain behold!
Other voices, sweeter voices, shall lament him year by year,
Though the morning finds us lonely, though we sit and marvel here:
Marvel much while Summer cometh, trammelled with November wheat,
Gold about her forehead gleaming, green and gold about her feet;

Welcome children of the Spring,
In your garbs of green and gold,
Lifting up your sun-crowned heads
On the verdant plain and wold.

As a bright and joyous troop
From the breast of earth ye came
Fair and lovely are your cheeks,
With sun-kisses all aflame.

In the dusty streets and lanes,
Where the lowly children play,
There as gentle friends ye smile,
Making brighter life's highway

Dewdrops and the morning sun,
Weave your garments fair and bright,
And we welcome you to-day

The dayseye hugging the earth
in August, ha! Spring is
gone down in purple,
weeds stand high in the corn,
the rainbeaten furrow
is clotted with sorrel
and crabgrass, the
branch is black under
the heavy mass of the leaves--
The sun is upon a
slender green stem
ribbed lengthwise.
He lies on his back--
it is a woman also--
he regards his former
majesty and
round the yellow center,
split and creviced and done into
minute flowerheads, he sends out
his twenty rays-- a little

Daily, daily, sing the praises
Of the city God hath made;
In the beauteous fields of Eden
Its foundation stones are laid.

Refrain

O that I had wings of angels,
Here to spread and heavenward fly!
I would seek the gates of Zion,
Far beyond the starry sky.

All the walls of that dear city
Are of bright and burnished gold;
It is matchless in its beauty,
And its treasures are untold.

Refrain

In the midst of that dear city
Christ is reigning on His seat,
And the angels swing their censers

Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,

In the Quarter of the Negroes
Where the doors are doors of paper
Dust of dingy atoms
Blows a scratchy sound.
Amorphous jack-o'-Lanterns caper
And the wind won't wait for midnight
For fun to blow doors down.
By the river and the railroad
With fluid far-off goind
Boundaries bind unbinding
A whirl of whisteles blowing.
No trains or steamboats going--
Yet Leontyne's unpacking.

In the Quarter of the Negroes
Where the doorknob lets in Lieder
More than German ever bore,
Her yesterday past grandpa--
Not of her own doing--

When Friends or Fortune frown on Mira's Lay,
Or gloomy Vapours hide the Lamp of Day;
With low'ring Forehead, and with aching Limbs,
Oppress'd with Head-ach, and eternal Whims,
Sad Mira vows to quit the darling Crime:
Yet takes her Farewel, and Repents, in Rhyme.

But see (more charming than Armida's Wiles)
The sun returns, and Artemisia smiles:
Then in a trice the Resolutions fly;
[And who so frolick as the Muse and I?]
We sing once more, obedient to her Call;
Once more we sing; and 'tis of Crumble-Hall;

Hot gold runs a winding stream on the inside of a green bowl.

Yellow trickles in a fan figure, scatters a line of skirmishes, spreads a chorus
of dancing girls, performs blazing ochre evolutions, gathers the whole show into
one stream, forgets the past and rolls on.

The sea-mist green of the bowl's bottom is a dark throat of sky crossed by
quarreling forks of umber and ochre and yellow changing faces.

Under silver wing
San Francisco's towers sprouting
thru thin gas clouds,
Tamalpais black-breasted above Pacific azure
Berkeley hills pine-covered below--
Dr Leary in his brown house scribing Independence
Declaration
typewriter at window
silver panorama in natural eyeball--

Sacramento valley rivercourse's Chinese
dragonflames licking green flats north-hazed
State Capitol metallic rubble, dry checkered fields
to Sierras- past Reno, Pyramid Lake's
blue Altar, pure water in Nevada sands'
brown wasteland scratched by tires