grief

Where the pure Derwent's waters glide
Along their mossy bed,
Close by the river's verdant side,
A castle rear'd its head.

The antient pile by time is raz'd,
Where gothic trophies frown'd,
Where once the gilded armour blaz'd,
And banners wav'd around.

There liv'd a chief well known to fame,
A bold adven'trous knight,
Renown'd for victory, his name
In glory's annals bright.

Yet milder virtues he possest,
And gentler passions felt,
For in his calm and yielding breast

O FLY thee from the shades of night,
Where the loud tempests yelling rise;
Where horrror wings her sullen flight
Beneath the bleak and lurid skies.

As the pale light'ning swiftly gleams
O'er the scorch'd wood, thy well-known form
More radiant than an angel seems,
Contending with the ruthless storm.

I see the scowling witch, DESPAIR
Drink the big tear that scalds thy cheek;
While thro' the dark and turbid air,
The screams of haggard ENVY break.

From the cold mountain's flinty steep,

Of the dark past
A child is born;
With joy and grief
My heart is torn.

Calm in his cradle
The living lies.
May love and mercy
Unclose his eyes!

Young life is breathed
On the glass;
The world that was not
Comes to pass.

A child is sleeping:
An old man gone.
O, father forsaken,
Forgive your son!

A man of sorrows and with grief acquainted,
He bowed His beauteous head to the rude hands
Of Pilate’s hireling bands;
And while beneath their cruel scourge He fainted,
Forgave them, yearning through His shameful smart
Even with a brother’s heart.
And when upon their Roman cross they nailed Him,
With mocking hatred and scorn’s bitter smile,
Hark! How He prayed, the while
Nature’s extremest agony assailed Him—
“Father, Thy mercy unto these renew,

Oh grieve not with thy bitter tears
The life that passes fast;
The gates of heaven will open wide
And take me in at last.

Then sit down meekly at my side
And watch my young life flee;
Then solemn peace of holy death
Come quickly unto thee.

But true love, seek me in the throng
Of spirits floating past,
And I will take thee by the hands
And know thee mine at last.

He and She and Angels Three

Ruthless hands have torn her
From one that loved her well;
Angels have upborn her,

That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely

Who, if I cried out, would hear me among the angels'
hierarchies? and even if one of them suddenly
pressed me against his heart, I would perish
in the embrace of his stronger existence.
For beauty is nothing but the beginning of terror
which we are barely able to endure and are awed
because it serenely disdains to annihilate us.
Each single angel is terrifying.
And so I force myself, swallow and hold back
the surging call of my dark sobbing.
Oh, to whom can we turn for help?
Not angels, not humans;

There are people, I know, to be found,
Who say, and apparently think,
That sorrow and care may be drowned
By a timely consumption of drink.

Does not man, these enthusiasts ask,
Most nearly approach the divine,
When engaged in the soul-stirring task
Of filling his body with wine?

Have not beggars been frequently known,
When satisfied, soaked, and replete,
To imagine their bench was a throne
And the civilised world at their feet?

Lord Byron has finely described

OH! miserable power
To dreams allow'd, to raise the guilty past,
And back awhile the illumined spirit to cast
On its youth's twilight hour;
In mockery guiling it to act again
The revel or the scoff in Satan's frantic train!

Nay, hush thee, angry heart!
An Angel's grief ill fits a penitent;
Welcome the thorn—it is divinely sent,
And with its wholesome smart
Shall pierce thee in thy virtue's palmy home,
And warn thee what thou art, and whence thy
wealth has come.

I

   There dwells a mighty pair -
   Slow, statuesque, intense -
   Amid the vague Immense:
None can their chronicle declare,
   Nor why they be, nor whence.

,h II

   Mother of all things made,
   Matchless in artistry,
   Unlit with sight is she. -
And though her ever well-obeyed
   Vacant of feeling he.

III

   The Matron mildly asks -
   A throb in every word -
   "Our clay-made creatures, lord,
How fare they in their mortal tasks