Mr. MacCall at Cleveland Hall

Mr. MacCall at Cleveland Hall,
Sunday evening-date to fix-
Fifteenth April, sixty-six,
Speech reported and redacted
By a fellow much distracted.

I

Who lectures? No mere scorner;
Clear-brained, his heart is warm.

She sits at the nearest comer
Of I will not say what form.


II

The Conflict of Opinions
In the Present Day, saith Chair.

What muff in the British dominions
Could dispute that she is fair?

III


Mr. Dana, of the New York Sun

Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done


Mountain

Nothing's moving I don't see anybody
And I know that it's not a trick
There really is nothing moving there
And there aren't any people. It is the very utmost top
Where, as is not unusual,
There is snow, lying like the hair on a white-haired person's head
Combed sideways and backward and forward to cover as much of the top
As possible, for the snow is thinning, it's September
Although a few months from now there will be a new crop
Probably, though this no one KNOWS (so neither do we)


Morning Song Of Senlin

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.
Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.
It is morning. I stand by the mirror


Morning

We are what we repeatedly do.
—Aristotle

You know how it is waking
from a dream certain you can fly
and that someone, long gone, returned

and you are filled with longing,
for a brief moment, to drive off
the road and feel nothing

or to see the loved one and feel
everything. Perhaps one morning,
taking brush to hair you'll wonder

how much of your life you've spent
at this task or signing your name
or rising in fog in near darkness

to ready for work. Day begins


More Later, Less The Same

The common is unusually calm--they captured the storm
last night, it's sleeping in the stockade, relieved
of its duty, pacified, tamed, a pussycat.
But not before it tied the flagpole in knots,
and not before it alarmed the firemen out of their pants.
Now it's really calm, almost too calm, as though
anything could happen, and it would be a first.
It could be the worst thing that ever happened.
All the little rodents are sitting up and counting
their nuts. What if nothing ever happened again?


Miss Loo

When thin-strewn memory I look through,
I see most clearly poor Miss Loo,
Her tabby cat, her cage of birds,
Her nose, her hair -- her muffled words,
And how she'd open her green eyes,
As if in some immense surprise,
Whenever as we sat at tea,
She made some small remark to me.

It's always drowsy summer when
From out the past she comes again;
The westering sunshine in a pool
Floats in her parlour still and cool;
While the slim bird its lean wires shakes,
As into piercing song it breaks


Modern Love XXVII Distraction is the Panacea

Distraction is the panacea, Sir!
I hear my oracle of Medicine say.
Doctor! that same specific yesterday
I tried, and the result will not deter
A second trial. Is the devil's line
Of golden hair, or raven black, composed?
And does a cheek, like any sea-shell rosed,
Or clear as widowed sky, seem most divine?
No matter, so I taste forgetfulness.
And if the devil snare me, body and mind,
Here gratefully I score:--he seemèd kind,
When not a soul would comfort my distress!


Modern Love XIII I Play for Seasons, Not Eternities

'I play for Seasons; not Eternities!'
Says Nature, laughing on her way. 'So must
All those whose stake is nothing more than dust!'
And lo, she wins, and of her harmonies
She is full sure! Upon her dying rose,
She drops a look of fondness, and goes by,
Scarce any retrospection in her eye;
For she the laws of growth most deeply knows,
Whose hands bear, here, a seed-bag--there, an urn.
Pledges she herself to aught, 'twould mark her end!
This lesson of our only visible friend,


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