hair

MERRYMIND, Merrymind, whither art thou roaming?
Merrymind, Merrymind, nay, art thou sleeping yet?
Oh, to us, sweet minstrel dear, wilt thou not be homing?
Or we shall forget.
Vale of toil so waste and drear, hear him now advancing,
Playing on the golden strings, the midnight maiden’s boon;
Breaks the sunshine on the hills, the princess falls to dancing
In a bridal noon!

Oh, the joyfulness and kissing of that fiddle’s flowings,
Giving rest and happiness, and laughter delicate!

At the time when the stars are grey,
And the gold of the molten moon
Fades, and the twilight is thinned,
And the sun leaps up, and the wind,
A light rose, not of the day,
A stronger light than of noon.

As the light of a face much loved
Was the face of the light that clomb;
As a mother's whitened with woes
Her adorable head that arose;
As the sound of a God that is moved,
Her voice went forth upon Rome.

At her lips it fluttered and failed
Twice, and sobbed into song,

1. IN THE BACKS.

As I was strolling lonely in the Backs,
I met a woman whom I did not like.
I did not like the way the woman walked:
Loose-hipped, big-boned, disjointed, angular.
If her anatomy comprised a waist,
I did not notice it: she had a face
With eyes and lips adjusted thereunto,
But round her mouth no pleasing shadows stirred,
Nor did her eyes invite a second glance.
Her dress was absolutely colourless,
Devoid of taste or shape or character;
Her boots were rather old, and rather large,

Only teaching on Tuesdays, book-worming
in pajamas fresh from the washer each morning,
I hog a whole house on Boston's
"hardly passionate Marlborough Street,"
where even the man
scavenging filth in the back alley trash cans,
has two children, a beach wagon, a helpmate,
and is "a young Republican."
I have a nine months' daughter,
young enough to be my granddaughter.
Like the sun she rises in her flame-flamingo infants' wear.

These are the tranquilized Fifties,

Dogs take new friends abruptly and by smell,
Cats' meetings are neat, tactual, caressive.
Monkeys exchange their fleas before they speak.
Snakes, no doubt, coil by coil reach mutual knowledge.

We then, at first encounter, should be silent;
Not court the cortex but the epidermis;
Not work from inside out but outside in;
Discover each other's flesh, its scent and texture;
Familiarize the sinews and the nerve-ends,
The hands, the hair - before the inept lips open.

Instead of which we are resonant, explicit.

I had come to the house, in a cave of trees,
Facing a sheer sky.
Everything moved, -- a bell hung ready to strike,
Sun and reflection wheeled by.

When the bare eyes were before me
And the hissing hair,
Held up at a window, seen through a door.
The stiff bald eyes, the serpents on the forehead
Formed in the air.

This is a dead scene forever now.
Nothing will ever stir.
The end will never brighten it more than this,
Nor the rain blur.

Who is this that sits by the way, by the wild wayside,
In a rent stained raiment, the robe of a cast-off bride,
In the dust, in the rainfall sitting, with soiled feet bare,
With the night for a garment upon her, with torn wet hair?
She is fairer of face than the daughters of men, and her eyes,
Worn through with her tears, are deep as the depth of skies.

This is she for whose sake being fallen, for whose abject sake,
Earth groans in the blackness of darkness, and men's hearts break.

In Mike Maloney's Nugget bar the hooch was flowin' free,
An' One-eyed Mike was shakin' dice wi' Montreal Maree,
An roarin' rageful warning when the boys got overwild,
When peekin' through the double door he spied a tiny child.
Then Mike Maloney muttered: "Hell! Now ain't that jest too bad;
It's Dud McClusky's orphen Nell a-lookin' for her dad.
An' him in back, a-lushin' wine wi' Violet de Vere-
Three times I've told the lousy swine to keep away from here."
"Pore leetle sing! He leaves her lone, so he go on ze spree:

When the Dean said we could not cross campus
until the students gave up the buildings,
we lay down, in the street,
we said the cops will enter this gate
over us. Lying back on the cobbles,
I saw the buildings of New York City
from dirt level, they soared up
and stopped, chopped off--above them, the sky,
the night air over the island.
The mounted police moved, near us,
while we sang, and then I began to count,
12, 13, 14, 15,
I counted again, 15, 16, one
month since the day on that deserted beach,

The trembling pulses of the dawn
Fill with faint glow the violet skies,
And on the moist, day-smitten lawn
The peace of morning lies.

A blessed truce of woe and sin,
A glad surcease of care's annoy;
The waking world has pleasure in
Its matin light and joy.

And all the joy that fills the air,
And all the light that gilds the blue,
I see it in your eyes and hair,
I know it, love, in you.

O'er lips and eyes and golden floss
There floats a charm I cannot reach,