house

All day and night, save winter, every weather,
Above the inn, the smithy and the shop,
The aspens at the cross-roads talk together
Of rain, until their last leaves fall from the top.

Out of the blacksmith's cavern comes the ringing
Of hammer, shoe and anvil; out of the inn
The clink, the hum, the roar, the random singing -
The sounds that for these fifty years have been.

The whisper of the aspens is not drowned,
And over lightless pane and footless road,
Empty as sky, with every other sound

A house that lacks, seemingly, mistress and master,
With doors that none but the wind ever closes,
Its floor all littered with glass and with plaster;
It stands in a garden of old-fashioned roses.

I pass by that way in the gloaming with Mary;
'I wonder,' I say, 'who the owner of those is.'
'Oh, no one you know,' she answers me airy,
'But one we must ask if we want any roses.'

So we must join hands in the dew coming coldly
There in the hush of the wood that reposes,

Dramatis Personae



HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".

Love has gone and left me and the days are all alike;
Eat I must, and sleep I will,—and would that night were
here!
But ah!—to lie awake and hear the slow hours strike!
Would that it were day again!—with twilight near!

Love has gone and left me and I don't know what to do;
This or that or what you will is all the same to me;
But all the things that I begin I leave before I'm through,—
There's little use in anything as far as I can see.

Love has gone and left me,—and the neighbors knock and

"Yes--deep within and deeper yet
The rankling shaft of conscience hide,
Quick let the swelling eye forget
The tears that in the heart abide.
Calm be the voice, the aspect bold,
No shuddering pass o'er lip or brow,
For why should Innocence be told
The pangs that guilty spirits bow?

"The loving eye that watches thine
Close as the air that wraps thee round -
Why in thy sorrow should it pine,
Since never of thy sin it found?
And wherefore should the heathen see

As we are so wonderfully done with each other
We can walk into our separate sleep
On floors of music where the milkwhite cloak of childhood lies

O my lady, my fairest dear, my sweetest, loveliest one
Your lips have splashed my dull house with the speech of flowers
My hands are hallowed where they touched over your
soft curving.

It is good to be weary from that brilliant work
It is being God to feel your breathing under me

A waterglass on the bureau fills with morning . . .

I

There is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And dote on gold.

II

In a blazing brick and plated show
Not far away a 'villa' gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.

III

The philosophic passers say,
'See that old mansion mossed and fair,
Poetic souls therein are they:

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,

When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds

Of RISPAH. (who had been the concubine of King SAUL) when DAVID hanged her children, because their father had done amiss.


From morn to eve from eve to rosy morn,
On this bleak rock I'll lay me all forlorn;
Here will I stay, tho' tempests frown around,
Fierce lightnings glare, or earthquakes rock the ground.
The prowling wolves, the hungry birds of prey,
Pierc'd with my moans, will rove another way:
Less steel'd than man, with hearts dissolv'd they go,
And lose their nature at the voice of woe.