"Yes--deep within and deeper yet
The rankling shaft of conscience hide,
Quick let the swelling eye forget
The tears that in the heart abide.
Calm be the voice, the aspect bold,
No shuddering pass o'er lip or brow,
For why should Innocence be told
The pangs that guilty spirits bow?

"The loving eye that watches thine
Close as the air that wraps thee round -
Why in thy sorrow should it pine,
Since never of thy sin it found?
And wherefore should the heathen see
What chains of darkness thee enslave,

As we are so wonderfully done with each other
We can walk into our separate sleep
On floors of music where the milkwhite cloak of childhood lies

O my lady, my fairest dear, my sweetest, loveliest one
Your lips have splashed my dull house with the speech of flowers
My hands are hallowed where they touched over your
soft curving.

It is good to be weary from that brilliant work
It is being God to feel your breathing under me

A waterglass on the bureau fills with morning . . .
Don’t let anyone in to wake us.

I have always aspired to a more spacious form
that would be free from the claims of poetry or prose
and would let us understand each other without exposing
the author or reader to sublime agonies.

In the very essence of poetry there is something indecent:
a thing is brought forth which we didn't know we had in us,
so we blink our eyes, as if a tiger had sprung out
and stood in the light, lashing his tail.

That's why poetry is rightly said to be dictated by a daimonion,
though its an exaggeration to maintain that he must be an angel.

When the chill of earth black-breasted is uplifted at the
glance
Of the red sun million-crested, and the forest blossoms
dance
With the light that stirs and lustres of the dawn, and with
the bloom
Of the wind’s cheek as it clusters from the hidden valley’s
gloom :
Then I walk in woodland spaces, musing on the solemn
ways
Of the immemorial places shut behind the starry rays
Of the East and all its splendour, of the West and all its peace;
And the stubborn lights grow tender, and the hard sounds
hush and cease.

I

There is a house with ivied walls,
And mullioned windows worn and old,
And the long dwellers in those halls
Have souls that know but sordid calls,
And dote on gold.

II

In a blazing brick and plated show
Not far away a 'villa' gleams,
And here a family few may know,
With book and pencil, viol and bow,
Lead inner lives of dreams.

III

The philosophic passers say,
'See that old mansion mossed and fair,
Poetic souls therein are they:
And O that gaudy box! Away,

Of RISPAH. (who had been the concubine of King SAUL) when DAVID hanged her children, because their father had done amiss.


From morn to eve from eve to rosy morn,
On this bleak rock I'll lay me all forlorn;
Here will I stay, tho' tempests frown around,
Fierce lightnings glare, or earthquakes rock the ground.
The prowling wolves, the hungry birds of prey,
Pierc'd with my moans, will rove another way:
Less steel'd than man, with hearts dissolv'd they go,
And lose their nature at the voice of woe.
And did ye, O my hapless offspring! bleed

Apollonius was talking about
proper education and conduct with a young
man who was building a luxurious
house in Rhodes. "As for me" said the Tyanian
at last, "when I enter a temple
however small it may be, I very much prefer
to see a statue of ivory and gold
than a clay and vulgar one in a large temple".--

The "clay" and "vulgar"; the detestable:
that already some people (without enough training)
it deceives knavishly. The clay and vulgar.

I am the pillars of the house;
The keystone of the arch am I.
Take me away, and roof and wall
Would fall to ruin me utterly.

I am the fire upon the hearth,
I am the light of the good sun,
I am the heat that warms the earth,
Which else were colder than a stone.

At me the children warm their hands;
I am their light of love alive.
Without me cold the hearthstone stands,
Nor could the precious children thrive.

I am the twist that holds together
The children in its sacred ring,
Their knot of love, from whose close tether

Our trees are aspens, but people
mistake them for birches;
they think of us as characters
in a Russian novel, Kitty and Levin
living contentedly in the country.
Our friends from the city watch the birds
and rabbits feeding together
on top of the deep, white snow.
(We have Russian winters in Illinois,
but no sleighbells, possums instead of wolves,
no trusted servants to do our work.)
As in a Russian play, an old man
lives in our house, he is my father;
he lets go of life in such slow motion,
year after year, that the grief

The neighbors' dog will not stop barking.
He is barking the same high, rhythmic bark
that he barks every time they leave the house.
They must switch him on on their way out.

The neighbors' dog will not stop barking.
I close all the windows in the house
and put on a Beethoven symphony full blast
but I can still hear him muffled under the music,
barking, barking, barking,

and now I can see him sitting in the orchestra,
his head raised confidently as if Beethoven
had included a part for barking dog.