Why pacest thou, my neighbour fair,

The garden all alone?
If house and land thou seek'st to guard,

I'd thee as mistress own.

My brother sought the cellar-maid,

And suffered her no rest;
She gave him a refreshing draught,

A kiss, too, she impress'd.

My cousin is a prudent wight,

The cook's by him ador'd;
He turns the spit round ceaselessly,

To gain love's sweet reward.

We six together then began

A banquet to consume,
When lo! a fourth pair singing came,

And danced into the room.

[sung to tune: "All Saints New"]



Our fathers, in the years grown dim, reared slowly, wall by wall
A holy dwelling-place for Him, that filleth all in all.
They wrought His house of faith and prayer, the rainbow round the Throne,
A precious temple builded fair on Christ the Cornerstone.

The Angel of the Golden Reed hath found the measure strait'
He hears the Great Foundation plead for ampler wall and gate.
The living pillars of the Truth grown on from morn to morn,
And still the heresy of youth is age's creed outworn.

Until her last breath she enlarges
Her Oxford house
Built in Slavonic
Vowels and consonants

She polishes the corner-stones
Until their Anglo-Saxon shine
Begins to sing

Her death is like a short breath-stop
Under the distant limetrees of her friends


Trans. by Peter Jay, Anthony Rudolf, and Daniel Weissbort


Anonymous submission.

If half my heart is here, doctor,
the other half is in China
with the army flowing
toward the Yellow River.
And, every morning, doctor,
every morning at sunrise my heart
is shot in Greece.
And every night,c doctor,
when the prisoners are asleep and the infirmary is deserted,
my heart stops at a run-down old house
in Istanbul.
And then after ten years
all i have to offer my poor people
is this apple in my hand, doctor,
one read apple:
my heart.

My brother Andy said, that for a soldier he would go,
So great excitement came upon the house of McElroe.
My father sold a bog-hole to equip him for the war.
And my mother sold the cushions of her Sunday jaunting car.
And when brave Andy reach'd the front, 'twas furious
work he made,
They appointed him a private in the Crocodile Brigade.
The sound of Andy's battle cry struck terror thro' the foe.
His foot was on the desert and his name was McElroe.
At least that's what the letter said that came across the foam.

And do you think that love itself,
Living in such an ugly house,
Can prosper long?
We meet and part;
Our talk is all of heres and nows,
Our conduct likewise; in no act
Is any future, any past;
Under our sly, unspoken pact,
I KNOW with whom I saw you last,
But I say nothing; and you know
At six-fifteen to whom I go—
Can even love be treated so?

I KNOW, but I do not insist,
Having stealth and tact, thought not enough,
What hour your eye is on your wrist.

No wild appeal, no mild rebuff

The brow of a horse in that moment when
The horse is drinking water so deeply from a trough
It seems to inhale the water, is holy.

I refuse to explain.

When the horse had gone the water in the trough,
All through the empty summer,

Went on reflecting clouds & stars.

The horse cropping grass in a field,
And the fly buzzing around its eyes, are more real
Than the mist in one corner of the field.

Or the angel hidden in the mist, for that matter.

Members of the Committee on the Ineffable,

All out of doors looked darkly in at him
Through the thin frost, almost in separate stars,
That gathers on the pane in empty rooms.
What kept his eyes from giving back the gaze
Was the lamp tilted near them in his hand.
What kept him from remembering what it was
That brought him to that creaking room was age.
He stood with barrels round him -- at a loss.
And having scared the cellar under him
In clomping there, he scared it once again
In clomping off; -- and scared the outer night,
Which has its sounds, familiar, like the roar

(March 4, 1913)


Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)

Let complicated structures not becloud
My lucid lines, nor weight with overloading.
To Shelley, Keats, and Wordsworth and that crowd

Walking is like
imagination, a
single step
dissolves the circle
into motion; the eye here
and there rests
on a leaf,
gap, or ledge,
everything flowing
except where
sight touches seen:
stop, though, and
reality snaps back
in, locked hard,
forms sharply
themselves, bushbank,
dentree, phoneline,
definite, fixed,
the self, too, then
caught real, clouds
and wind melting
into their directions,
breaking around and
over, down and out,
motions profound,
alive, musical!