moon

When the soft sweet wind o' the south went by,
I dwelt in the light of a dark brown eye;
And out where the robin sang his song,
We lived and loved, while the days were long.

In the sweet, sweet eves, when the moon swung high,
We wandered under the starry sky;
Or sat in the porch, and the moon looked through
The latticed wall where the roses grew.

My lips, that hd no lover's kiss,
You taught the art, till they trilled in bliss;
And the moon, and the stars, and the roses knew

One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-greens,
A saint, an angel -- every canvas means
The same one meaning, neither more nor less.
He feeds upon her face by day and night,
And she with true kind eyes looks back on him,
Fair as the moon and joyful as the light:
Not wan with waiting, not with sorrow dim;

In the dead of night, moon-gazing,
The thought of the deep mountain affrighted,
Yet longings for the mountain village
At all other moments filled my heart.

In the beginning was the three-pointed star,
One smile of light across the empty face,
One bough of bone across the rooting air,
The substance forked that marrowed the first sun,
And, burning ciphers on the round of space,
Heaven and hell mixed as they spun.

In the beginning was the pale signature,
Three-syllabled and starry as the smile,
And after came the imprints on the water,
Stamp of the minted face upon the moon;
The blood that touched the crosstree and the grail
Touched the first cloud and left a sign.

SPRING scarce had greener fields to show than these
Of mid September; through the still warm noon
The rivulets ripple forth a gladder tune
Than ever in the summer; from the trees
Dusk-green, and murmuring inward melodies,
No leaf drops yet; only our evenings swoon
In pallid skies more suddenly, and the moon
Finds motionless white mists out on the leas.
Dear chance it were in some rough wood-god's lair
A month hence, gazing on the last bright field,
To sink o'er-drowsed, and dream that wild-flowers blew

1

In Salem dwelt a glorious King,
Raised from a shepherd's lowly state;
That did His praises like an angel sing
Who did the World create.
By many great and bloody wars
He was advanced unto Thrones
But more delighted in the stars
Than in the splendour of his precious stones;
Nor gold nor silver did his eye regard
The Works of God were his sublime reward,


2

A warlike champion he had been,
And many feats of chivalry
Had done: in kingly courts his eye had seen

O, MANDRAGORA, many sing in praise
Of life, and death, and immortality,--
Of passion, that goes famished all her days,--
Of Faith, or fantasy;
Thou, all unpraised, unsung, I make this rhyme to thee.

The womby underworlds thy roots enclose,
In human shape, sprung from abhorrent seed;
But when through crumbling roof the daylight shows,
And thou my breast hast freed
Thou growest in the field as any flower or weed.

At many a cross-road bare thy leaves protrude,

In my craft or sullen art
Exercised in the still night
When only the moon rages
And the lovers lie abed
With all their griefs in their arms
I labour by singing light
Not for ambition or bread
Or the strut and trade of charms
On the ivory stages
But for the common wages
Of their most secret heart.

Not for the proud man apart
From the raging moon I write
On these spindrift pages
Nor for the towering dead
With their nightingales and psalms
But for the lovers, their arms

There's in my mind a woman
of innocence, unadorned but

fair-featured and smelling of
apples or grass. She wears

a utopian smock or shift, her hair
is light brown and smooth, and she

is kind and very clean without
ostentation-

but she has
no imagination

And there's a
turbulent moon-ridden girl

or old woman, or both,
dressed in opals and rags, feathers

and torn taffeta,
who knows strange songs

but she is not kind.

My quietness has a man in it, he is transparent
and he carries me quietly, like a gondola, through the streets.
He has several likenesses, like stars and years, like numerals.

My quietness has a number of naked selves,
so many pistols I have borrowed to protect myselves
from creatures who too readily recognize my weapons
and have murder in their heart!
though in winter
they are warm as roses, in the desert
taste of chilled anisette.
At times, withdrawn,
I rise into the cool skies