Because no one could ever praise me enough,
because I don't mean these poems only
but the unseen
unbelievable effort it takes to live
the life that goes on between them,
I think all the time about invisible work.
About the young mother on Welfare
I interviewed years ago,
who said, "It's hard.
You bring him to the park,
run rings around yourself keeping him safe,
cut hot dogs into bite-sized pieces fro dinner,
and there's no one
to say what a good job you're doing,
how you were patient and loving

Tonight the moon is a cracker,
with a bite out of it
floating in the night,

and in a week or so
according to the calendar
it will probably look

like a silver football,
and nine, maybe ten days ago
it reminded me of a thin bright claw.

But eventually --
by the end of the month,
I reckon --

it will waste away
to nothing,
nothing but stars in the sky,

and I will have a few nights
to myself,
a little time to rest my jittery pen.

If you go deep
Into the heart
What do you find there?
Fear, fear,
Fear of the jaws of the rock,
Fear of the teeth and splinters of iron that tear
Flesh from the bone, and the moist
Blood, running unfelt
From the wound, and the hand
Suddenly moist and red.

If you go deep
Into the heart
What do you find?
Grief, grief,
Grief for the life unlived,
For the loves unloved,
For the child never to be born,
Th'unbidden anguish, when the fair moon
Rises over still summer seas, and the pain

Laudation to the God of majesty and glory! Obedience to him is a cause of approach and gratitude in increase of benefits. Every inhalation of the breath prolongs life and every expiration of it gladdens our nature; wherefore every breath confers two benefits and for every benefit gratitude is due.

Whose hand and tongue is capable
To fulfil the obligations of thanks to him?

Words of the most high: Be thankful, O family of David, and but few of my servants are thankful.

It is best to a worshipper for his transgressions

When I have baked white cakes
And grated green almonds to spread on them;
When I have picked the green crowns from the strawberries
And piled them, cone-pointed, in a blue and yellow platter;
When I have smoothed the seam of the linen I have been working;
What then?
To-morrow it will be the same:
Cakes and strawberries,
And needles in and out of cloth
If the sun is beautiful on bricks and pewter,
How much more beautiful is the moon,
Slanting down the gauffered branches of a plum-tree;
The moon

In the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days
they will need winding.

Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing . . . .
To be said against them . . . .
Or for them . . . .
In the cool of the night time
And the docks.

A man in pigeon-gray pyjamas.
The open window begins at his feet

Heigh ho! to sleep I vainly try;
Since twelve I haven't closed an eye,
And now it's three, and as I lie,
From Notre Dame to St. Denis
The bells of Paris chime to me;
"You're young," they say, "and strong and free."
II
I do not turn with sighs and groans
To ease my limbs, to rest my bones,
As if my bed were stuffed with stones,
No peevish murmur tips my tongue --
Ah no! for every sound upflung
Says: "Lad, you're free and strong and young."
III
And so beneath the sheet's caress
My body purrs with happiness;

The moon in the bureau mirror
looks out a million miles
(and perhaps with pride, at herself,
but she never, never smiles)
far and away beyond sleep, or
perhaps she's a daytime sleeper.

By the Universe deserted,
she'd tell it to go to hell,
and she'd find a body of water,
or a mirror, on which to dwell.
So wrap up care in a cobweb
and drop it down the well

into that world inverted
where left is always right,
where the shadows are really the body,
where we stay awake all night,

Above the vale of Inkerman,
Calmly the moon's rays fell,
Revealing as by light of day,
That deep and lonely dell;
Tchernaya's waters as a band
Of silver graceful flowed,
But who can paint the ghastly scene,
Which those bright rays disclosed!
Thickly as leaves around the path
Through copse and brush-wood dense,
Lay piles of dead and wounded men,
Slain in that fierce defense.
The fearful moan, the struggles fierce,
The hoarse and gurgling cry
Comes on the night wind sweeping past,

The hounds of despair, the hounds of the autumnal wind,
Gnaw with their howling the black echoes of evenings.
The darkness, immensely, gropes in the emptiness
For the moon, seen by the light of water.

From point to point, over there, the distant lights,
And in the sky, above, dreadful voices
Coming and going from the infinity of the marshes and planes
To the infinity of the valleys and the woods.

And roadways that stretch out like sails
And pass each other, coming unfolded in the distance, soundlessly,