moon

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.

Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.

For the seven lakes, and by no man these verses:
Rain; empty river; a voyage,
Fire from frozen cloud, heavy rain in the twilight
Under the cabin roof was one lantern.
The reeds are heavy; bent;
and the bamboos speak as if weeping.

Autumn moon; hills rise about lakes
against sunset
Evening is like a curtain of cloud,
a blurr above ripples; and through it
sharp long spikes of the cinnamon,
a cold tune amid reeds.
Behind hill the monk's bell
borne on the wind.

The veziers of Nushirvan happened to discuss an important affair of state, each giving his opinion according to his knowledge. The king likewise gave his opinion and Barzachumihr concurred with it.

Upon her breast her hands and hair
Were tangled all together.
The moon of June forbade me not —
The golden night time weather
In balmy sighs commanded me
To kiss them like a feather.

Her looming hair, her burning hands,
Were tangled black and white.
My face I buried there. I pray —
So far from her to-night —
For grace, to dream I kiss her soul
Amid the black and white.

Fingal, returning from an expedition which he had made into the Roman province, resolved to visit Cathulla, king of Inistore, and brother to Comala, whose story is related at large in the preceding dramatic poem. Upon his coming in sight of Carric-thura, the palace of Cathulla, he observed a flame on its top, which, in those days, was a signal of distress. The wind drove him into a bay at some distance from Carric-thura, and he was obliged to pass the night on shore.

I was born in Belfast between the mountain and the gantries
To the hooting of lost sirens and the clang of trams:
Thence to Smoky Carrick in County Antrim
Where the bottle-neck harbour collects the mud which jams

The little boats beneath the Norman castle,
The pier shining with lumps of crystal salt;
The Scotch Quarter was a line of residential houses
But the Irish Quarter was a slum for the blind and halt.

The brook ran yellow from the factory stinking of chlorine,
The yarn-milled called its funeral cry at noon;

How do you enter that Manila
frame of mind, that woven
mat of noodle house restaurants,

that dawn of tapis tasting women,
that hankering of hourly hauntings?
Drive along Roxas Boulevard

when the moon has just clocked
out of third shift and the sea horses
are returning to their feeding stables.

Walk the afternoon trees of Taft Avenue
and talk to the mechanics of Sunday
medicine. Ask them for recipes

to cure fire-retardant love. Bask
in the baying of mahogany dogs on Mabini

1 Ca' the yowes to the knowes,
2 Ca' them where the heather grows
3 Ca' them where the burnie rows,
4 My bonie dearie.

5 Hark! the mavis' evening sang
6 Sounding Cluden's woods amang,
7 Then a-fauldin let us gang,
8 My bonie dearie.

9 We'll gae down by Cluden side,
10 Thro' the hazels spreading wide,
11 O'er the waves that sweetly glide
12 To the moon sae clearly.

13 Yonder Cluden's silent towers,

Western Version


Cain and Abel were brothers born.
(Koop-la! Come along, cows!)
One raised cattle and one raised corn.
(Koop-la! Come along! Co-hoe!)

And Cain he farmed by the river-side,
So he did not care how much it dried.

For he banked, and he sluiced, and he ditched and he led
(And the Corn don't care for the Horn)--
A-half Euphrates out of her bed
To water his dam' Corn!

But Abel herded out on the plains
Where you have to go by the dams and rains.

We go no more to Calverly's,
For there the lights are few and low;
And who are there to see by them,
Or what they see, we do not know.
Poor strangers of another tongue
May now creep in from anywhere,
And we, forgotten, be no more
Than twilight on a ruin there.

We two, the remnant. All the rest
Are cold and quiet. You nor I,
Nor fiddle now, nor flagon-lid,
May ring them back from where they lie.
No fame delays oblivion
For them, but something yet survives:
A record written fair, could we