moon

Seven are the lights that wander in the skies,
And at these seven, I wonder in my love.
So see the moon, how pale she doth arise,
Standing amazed, as though she durst not move;
So is my sweet much paler than the snow,
Constant her looks, these looks that cannot change.
Mercury the next, a god sweet-tongued we know,
But her sweet voice doth wonders speak more strange.
The rising Sun doth boast him of his pride,
And yet my love is far more fair than he.
The warlike Mars can wieldless weapons guide,

A big bud of moon hangs out of the twilight,
Star-spiders spinning their thread
Hang high suspended, withouten respite
Watching us overhead.

Come then under the trees, where the leaf-cloths
Curtain us in so dark
That here we’re safe from even the ermin-moth’s
Flitting remark.

Here in this swarthy, secret tent,
Where black boughs flap the ground,
You shall draw the thorn from my discontent,
Surgeon me sound.

This rare, rich night! For in here
Under the yew-tree tent

During the war, I was in China.
Every night we blew the world to hell.
The sky was purple and yellow
like his favorite shirt.

I was in India once
on the Ganges in a tourist boat.
There were soldiers,
some women with parasols.
A dead body floated by
going in the opposite direction.
My son likes this story
and requests it each year at Thanksgiving.

When he was twelve,
there was an accident.
He almost went blind.
For three weeks he lay in the hospital,
his eyes bandaged.

Through the noiseless doors of Death
Three passed out, as with one breath.

Two had faces stern as Fate,
Stamped with unrelenting hate.

One upon her lips of guile
Wore a cold, mysterious smile.

Each of each unseen, the pale
Shades went down the hollow vale

Till they came unto the deep
River of Eternal Sleep.

Breath of wind, or wing of bird,
Never that dark stream hath stirred;

Still it seems as is the shore,
But it flows for evermore

Let us go hence, my songs; she will not hear.
Let us go hence together without fear;
Keep silence now, for singing-time is over,
And over all old things and all things dear.
She loves not you nor me as all we love her.
Yea, though we sang as angels in her ear,
She would not hear.

Let us rise up and part; she will not know.
Let us go seaward as the great winds go,
Full of blown sand and foam; what help is here?
There is no help, for all these things are so,
And all the world is bitter as a tear.

The leaves are falling one and one,
Each like a life to me,
As over-soonly in the sun
They spiral goldenly:
So airily and warily
They falter free.
II
The leaves are falling two and two,
Beneath a baleful sky;
So silently the sward they strew,
Reluctantly they die . . .
Rich crimson leaves,--and no one grieves
There doom but I.
III
The leaves are falling three and three
Beneath the mothlike moon;

The sea is flecked with bars of grey,
The dull dead wind is out of tune,
And like a withered leaf the moon
Is blown across the stormy bay.

Etched clear upon the pallid sand
Lies the black boat: a sailor boy
Clambers aboard in careless joy
With laughing face and gleaming hand.

And overhead the curlews cry,
Where through the dusky upland grass
The young brown-throated reapers pass,
Like silhouettes against the sky.

Thou art the goal for which my spirit longs;
As dove on dove,
Bound for one home, I send thee all my songs
With all my love.

Thou art the haven with fair harbour lights;
Safe locked in thee,
My heart would anchor after stormful nights
Alone at sea.

Thou art the rest of which my life is fain,
The perfect peace;
Absorbed in thee the world, with all its pain
And toil, would cease.

Thou art the heaven to which my soul would go!
O dearest eyes,

The serpents are asleep among the poppies,
The fireflies light the soundless panther's way
To tangled paths where shy gazelles are straying,
And parrot-plumes outshine the dying day.
O soft! the lotus-buds upon the stream
Are stirring like sweet maidens when they dream.


A caste-mark on the azure brows of Heaven,
The golden moon burns sacred, solemn, bright
The winds are dancing in the forest-temple,
And swooning at the holy feet of Night.
Hush! in the silence mystic voices sing

The taller the monument, the more impatient our luggage.
Look, look, a graveyard has fancy dirt.
Historians agree: this is the pebble which beaned Goliath.
Every billboard is theoretically as beautiful as what lies unseen behind it.

Mouth: the word's exit-wound.
It is impossible to run away face-to-face.
Shadow has closed the door out of you to you, but not to us.
The sign on the wall advises: Hide your gloves beneath your wings.

Even sculptors occasionally lean against statues.