pain

SMILINDA and CARDELIA.CARDELIA.
THE bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room ?
Rise, pensive nymph ! the tallier stays for you.

SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --

CARDELIA.
Is this the cause of your romantic strains ?

Sirs, when you pity us, I say
You waste your pity. Let it stay,
Well corked and stored upon your shelves,
Until you need it for yourselves.

We do appreciate God's thought
In forming you, before He brought
Us into life. His art was crude,
But oh, so virile in its rude

Large elemental strength: and then
He learned His trade in making men;
Learned how to mix and mould the clay
And fashion in a finer way.

How fine that skilful way can be
You need but lift your eyes to see;

I

Dear Lizbie Browne,
Where are you now?
In sun, in rain? -
Or is your brow
Past joy, past pain,
Dear Lizbie Browne?

II

Sweet Lizbie Browne
How you could smile,
How you could sing! -
How archly wile
In glance-giving,
Sweet Lizbie Browne!

III

And, Lizbie Browne,
Who else had hair
Bay-red as yours,
Or flesh so fair
Bred out of doors,
Sweet Lizbie Browne?

IV

When, Lizbie Browne,

167

To learn the Transport by the Pain
As Blind Men learn the sun!
To die of thirst—suspecting
That Brooks in Meadows run!

To stay the homesick—homesick feet
Upon a foreign shore—
Haunted by native lands, the while—
And blue—beloved air!

This is the Sovereign Anguish!
This—the signal woe!
These are the patient "Laureates"
Whose voices—trained—below—

As cend in ceaseless Carol—
Inaudible, indeed,
To us—the duller scholars
Of the Mysterious Bard!

EXULT MY MUSE! exult to see
Each envious, waspish, jealous thing,
Around its harmless venom fling,
And dart its powerless fangs at THEE!
Ne'er shalt THOU bend thy radiant wing,
To sweep the dark revengeful string;
Or meanly stoop, to steal a ray,
E'en from RINALDO'S glorious lay,
Tho' his transcendent Verse should twine
About thy heart, each bliss divine.

O MUSE ADOR'D, I woo thee now
From yon bright Heaven, to hear my vow;
From thy blest wing a plume I'll steal,

These vessels of verse, O Great Goddess, are filled with invisible tears,
With the sobs and sweat of my spirit and her desolate brooding for years;
See, I lay them -- not on thine altar, for they are unpolished and plain,
Not rounded enough by the potter, too much burnt in the furnace of pain;
But here in the dust, in the shadow, with a sudden wild leap of the heart
I kneel to tenderly kiss them, then in silence arise to depart.

I linger awhile at the portal with the light of the crimsoning sun

Transplant the beauteous tree!
Gardener, it gives me pain;
A happier resting-place
Its trunk deserved.

Yet the strength of its nature
To Earth's exhausting avarice,
To Air's destructive inroads,
An antidote opposed.

See how it in springtime
Coins its pale green leaves!
Their orange-fragrance
Poisons each flyblow straight.

The caterpillar's tooth
Is blunted by them;
With silv'ry hues they gleam
In the bright sunshine,

Its twigs the maiden
Fain would twine in

Last Sunday night I read the saddening story
Of the unanswered love of fair Elaine,
The `faith unfaithful' and the joyless glory
Of Lancelot, `groaning in remorseful pain.'

I thought of all those nights in wintry weather,
Those Sunday nights that seem not long ago,
When we two read our Poet's words together,
Till summer warmth within our hearts did glow.

Ah, when shall we renew that bygone pleasure,
Sit down together at our Merlin's feet,
Drink from one cup the overflowing measure,

MY lute, awake! perform the last
Labour that thou and I shall waste,
   And end that I have now begun;
For when this song is said and past,
   My lute, be still, for I have done.

As to be heard where ear is none,
As lead to grave in marble stone,
   My song may pierce her heart as soon:
Should we then sing, or sigh, or moan?
   No, no, my lute! for I have done.

The rocks do not so cruelly
Repulse the waves continually,
   As she my suit and affectiòn;
So that I am past remedy:

The winds have grown articulate in thee,
And voiced again the wail of ancient woe
That smote upon the winds of long ago:
The cries of Trojan women as they flee,
The quivering moan of pale Andromache,
Now lifted loud with pain and now brought low.
It is the soul of sorrow that we know,
As in a shell the soul of all the sea.
So sometimes in the compass of a song,
Unknown to him who sings, thro' lips that live,
The voiceless dead of long-forgotten lands
Proclaim to us their heaviness and wrong