pain

When I am dead, my dearest,
Sing no sad songs for me;
Plant thou no roses at my head,
Nor shady cypress tree:
Be the green grass above me
With showers and dewdrops wet;
And if thou wilt, remember,
And if thou wilt, forget.

I shall not see the shadows,
I shall not feel the rain;
I shall not hear the nightingale
Sing on, as if in pain:
And dreaming through the twilight
That doth not rise nor set,
Haply I may remember,
And haply may forget.

When cold in the earth lies the friend thou hast loved,
Be his faults and his follies forgot by thee then;
Or, if from their slumber the veil be removed,
Weep o'er them in silence, and close it again.
And oh! if 'tis pain to remember how far
From the pathways of light he was tempted to roam,
Be it bliss to remember that thou wert the star
That arose on his darkness, and guided him home.

From thee and thy innocent beauty first came
The revealings, that taught him true love to adore,

"What says the sea, little shell?
What says the sea?
Long has our brother been silent to us,
Kept his message for the ships,
Awkward ships, stupid ships."

"The sea bids you mourn, O Pines,
Sing low in the moonlight.
He sends tale of the land of doom,
Of place where endless falls
A rain of women's tears,
And men in grey robes --
Men in grey robes --
Chant the unknown pain."

"What says the sea, little shell?
What says the sea?
Long has our brother been silent to us,

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply,
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in winter stands the lonely tree,
Nor knows what birds have vanished one by one,
Yet knows its boughs more silent than before:
I cannot say what loves have come and gone,

The construction of a woman:
a woman is not made of flesh
of bone and sinew
belly and breasts, elbows and liver and toe.
She is manufactured like a sports sedan.
She is retooled, refitted and redesigned
every decade.
Cecile had been seduction itself in college.
She wriggled through bars like a satin eel,
her hips and ass promising, her mouth pursed
in the dark red lipstick of desire.

She visited in '68 still wearing skirts
tight to the knees, dark red lipstick,

WEARY of the ceaseless war
Beating down the baffled soul,—
Thoughts that like a scimitar
Smite us fainting at the goal.

Weary of the joys that pain—
Dead sea fruits whose ashes fall,
Drying up the summer’s rain—
Charnel dust in cups of gall!

Weary of the hopes that fail,
Leading from the narrow way,
Tempting strength to actions frail—
Hand to err, and foot to stray.

Weary of the battling throng,

Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become lovely again.
Second-hand gloves will become lovely again,
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are

One starry night on Okinawa,
Guns and men were still;
A young Marine was standing duty
On a lonely hill.

The battle ever carries on....
Two months it's been by now....
All dead exceeding ninety thousand;
And he wondered how....
How all the slaughter could continue
Under God's domain?
How long are minds of men expected
To endure the pain?

First Saipan.... Iwo Jima next,
He'd seen his buddies fall....
And, now again, on Okinawa....
No let up at all.

What d'ye think, lad; what d'ye think,
As the roaring crowds go by?
As the banners flare and the brasses blare
And the great guns rend the sky?
As the women laugh like they'd all gone mad,
And the champagne glasses clink:
Oh, you're grippin' me hand so tightly, lad,
I'm a-wonderin': what d'ye think?

D'ye think o' the boys we used to know,
And how they'd have topped the fun?
Tom and Charlie, and Jack and Joe --
Gone now, every one.
How they'd have cheered as the joy-bells chime,

O Youth and Joy, your airy tread
Too lightly springs by Sorrow's bed,
Your keen eye-glances are too bright,
Too restless for a sick man's sight.
Farewell; for one short life we part:
I rather woo the soothing art,
Which only souls in sufferings tried
Bear to their suffering brethren's side.

Where may we learn that gentle spell?
Mother of Martyrs, thou canst tell!
Thou, who didst watch thy dying Spouse
With pierced hands and bleeding brows,
Whose tears from age to age are shed