pain

I go away this blessed day,
To sail across the sea, MATILDA!
My vessel starts for various parts
At twenty after three, MATILDA.
I hardly know where we may go,
Or if it's near or far, MATILDA,
For CAPTAIN HYDE does not confide
In any 'fore-mast tar, MATILDA!

Beneath my ban that mystic man
Shall suffer, COUTE QUI COUTE, MATILDA!
What right has he to keep from me
The Admiralty route, MATILDA?
Because, forsooth! I am a youth
Of common sailors' lot, MATILDA!
Am I a man on human plan

O Gentle Love, ungentle for thy deed,
Thou makest my heart
A bloody mark
With piercing shot to bleed.
Shoot soft, sweet Love, for fear thou shoot amiss,
For fear too keen
Thy arrows been,
And hist the heart where my beloved is.
Too fair that fortune were, nor never I
Shall be so blest,
Among the rest,
That Love shall seize on her by sympathy.
Then since with Love my prayers bear no boot,
This doth remain
To cease my pain,
I take the wound, and die at Venus' foot.

Through that window—all else being extinct
Except itself and me—I saw the struggle
Of darkness against darkness. Within the room
It turned and turned, dived downward. Then I saw
How order might—if chaos wished—become:
And saw the darkness crush upon itself,
Contracting powerfully; it was as if
It killed itself, slowly: and with much pain.
Pain. The scene was pain, and nothing but pain.
What else, when chaos draws all forces inward
To shape a single leaf? . . .
For the leaf came
Alone and shining in the empty room;

To sing of wars, of captains, and of kings,
Of cities founded, commonwealths begun,
For my mean pen are too superior things:
Or how they all, or each, their dates have run;
Let poets and historians set these forth,
My obscure lines shall not so dim their work.

But when my wondering eyes and envious heart
Great Bartas' sugared lines do but read o'er,
Fool I do grudge the Muses did not part
'Twixt him and me that overfluent store;--
A Bartas can do what a Bartas will,
But simple I according to my skill.

Part 1

WHAT dire Offence from am'rous Causes springs,
What mighty Contests rise from trivial Things,
I sing -- This Verse to C---, Muse! is due;
This, ev'n Belinda may vouchfafe to view:
Slight is the Subject, but not so the Praise,
If She inspire, and He approve my Lays.
Say what strange Motive, Goddess! cou'd compel
A well-bred Lord t'assault a gentle Belle?
Oh say what stranger Cause, yet unexplor'd,
Cou'd make a gentle Belle reject a Lord?

I count the dismal time by months and years
Since last I felt the green sward under foot,
And the great breath of all things summer-
Met mine upon my lips. Now earth appears
As strange to me as dreams of distant spheres
Or thoughts of Heaven we weep at. Nature's lute
Sounds on, behind this door so closely shut,
A strange wild music to the prisoner's ears,
Dilated by the distance, till the brain
Grows dim with fancies which it feels too
While ever, with a visionary pain,
Past the precluded senses, sweep and Rhine

I strolled up old Bonanza, where I staked in ninety-eight,
A-purpose to revisit the old claim.
I kept thinking mighty sadly of the funny ways of Fate,
And the lads who once were with me in the game.
Poor boys, they're down-and-outers, and there's scarcely one to-day
Can show a dozen colors in his poke;
And me, I'm still prospecting, old and battered, gaunt and gray,
And I'm looking for a grub-stake, and I'm broke.

I strolled up old Bonanza. The same old moon looked down;
The same old landmarks seemed to yearn to me;

2 Samuel XIV. 14.


If Thought can reach to Heaven,
On Heaven let it dwell,
For fear the Thought be given
Like power to reach to Hell.
For fear the desolation
And darkness of thy mind
Perplex an habitation
Which thou hast left behind.

Let nothing linger after--
No whimpering gost remain,
In wall, or beam, or rafter,
Of any hate or pain.
Cleans and call home thy spirit,
Deny her leave to cast,
On aught thy heirs inherit,
The shadow of her past.

Shall we conceal the Case, or tell it -
   We who believe the evidence?
   Here and there the watch-towers knell it
   With a sullen significance,
Heard of the few who hearken intently and carry an eagerly upstrained
sense.

   Hearts that are happiest hold not by it;
   Better we let, then, the old view reign;
   Since there is peace in it, why decry it?
   Since there is comfort, why disdain?
Note not the pigment the while that the painting determines
humanity's joy and pain!

There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.

``Shall I have nought that is fair?'' saith he;
``Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.''

He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.

``My Lord has need of these flowerets gay,''