pain

He stood before my heart's closed door,
And asked to enter in;
But I had barred the passage o'er
By unbelief and sin.

He came with nail-prints in his hands,
To set my spirit free;
With wounded feet he trod a path
To come and sup with me.

He found me poor and brought me gold,
The fire of love had tried,
And garments whitened by his blood,
My wretchedness to hide.

The glare of life had dimmed my eyes,
Its glamour was too bright.
He came with ointment in his hands

Darkness: the rain sluiced down; the mire was deep;
It was past twelve on a mid-winter night,
When peaceful folk in beds lay snug asleep;
There, with much work to do before the light,
We lugged our clay-sucked boots as best we might
Along the trench; sometimes a bullet sang,
And droning shells burst with a hollow bang;
We were soaked, chilled and wretched, every one;
Darkness; the distant wink of a huge gun.

I turned in the black ditch, loathing the storm;
A rocket fizzed and burned with blanching flare,

The day after Christmas, young Albert
Were what's called, confined to his bed,
With a tight kind of pain in his stummick
And a light feeling up in his head.

His parents were all in a fluster
When they saw little lad were so sick,
They said, 'Put out your tongue!', When they'd seen it
They said, 'Put it back again - quick!'

Ma made him a basin of gruel,
But that were a move for the worse;
Though the little lad tried hard to eat it,
At the finish he did the reverse.

All profits disappear: the gain
Of ease, the hoarded, secret sum;
And now grim digits of old pain
Return to litter up our home.

We hunt the cause of ruin, add,
Subtract, and put ourselves in pawn;
For all our scratching on the pad,
We cannot trace the error down.

What we are seeking is a fare
One way, a chance to be secure:
The lack that keeps us what we are,
The penny that usurps the poor.

She said: the pitying audience melt in tears,
But Fate and Jove had stopp'd the Baron's ears.
In vain Thalestris with reproach assails,
For who can move when fair Belinda fails?
Not half so fix'd the Trojan could remain,
While Anna begg'd and Dido rag'd in vain.
Then grave Clarissa graceful wav'd her fan;
Silence ensu'd, and thus the nymph began.
"Say, why are beauties prais'd and honour'd most,
The wise man's passion, and the vain man's toast?

The darkness brings no quiet here, the light
No waking: ever on my blinded brain
The flare of lights, the rush, and cry, and strain,
The engines' scream, the hiss and thunder smite:
I see the hurrying crowds, the clasp, the flight,
Faces that touch, eyes that are dim with pain:
I see the hoarse wheels turn, and the great train
Move labouring out into the bourneless night.
So many souls within its dim recesses,
So many bright, so many mournful eyes:

DAME FORTUNE often loves a laugh to raise,
And, playing off her tricks and roguish ways,
Instead of giving us what we desire,
Mere quid pro quo permits us to acquire.
I've found her gambols such from first to last,
And judge the future by experience past.
Fair Cloris and myself felt mutual flame;
And, when a year had run, the sprightly dame
Prepared to grant me, if I may be plain,
Some slight concessions that would ease my pain.
This was her aim; but whatsoe'er in view,
'Tis opportunity we should pursue;

Black trees against an orange sky,
Trees that the wind shook terribly,
Like a harsh spume along the road,
Quavering up like withered arms,
Writhing like streams, like twisted charms
Of hot lead flung in snow. Below
The iron ice stung like a goad,
Slashing the torn shoes from my feet,
And all the air was bitter sleet.

And all the land was cramped with snow,
Steel-strong and fierce and glimmering wan,
Like pale plains of obsidian.
-- And yet I strove -- and I was fire

I have fetched the tears up out of the little wells,
Scooped them up with small, iron words,
Dripping over the runnels.

The harsh, cold wind of my words drove on, and still
I watched the tears on the guilty cheek of the boys
Glitter and spill.

Cringing Pity, and Love, white-handed, came
Hovering about the Judgment which stood in my eyes,
Whirling a flame.

. . . . . . .

The tears are dry, and the cheeks’ young fruits are fresh

DIVERTING in extreme there is a play,
Which oft resumes its fascinating sway;
Delights the sex, or ugly, fair, or sour;
By night or day:--'tis sweet at any hour.
The frolick, ev'ry where is known to fame;
Conjecture if you can, and tells its name.

THIS play's chief charm to husbands is unknown;
'Tis with the lover it excels alone;
No lookers-on, as umpires, are required;
No quarrels rise, though each appears inspired;
All seem delighted with the pleasing game:--
Conjecture if you can, and tell its name.