poem

We have too much exhibitionism
and not enough voyeurism
in poetry we have plenty of bass
and not enough treble, more amber
beer than the frat boys can drink but
less red wine than meets the lip
in this beaker of the best Bordeaux,
too much thesis, too little antithesis
and way too much New York Times
in poetry we've had too much isolationism
and too few foreign entanglements
we need more Baudelaire on the quai
d'Anjou more olive trees and umbrella pines
fewer leafless branches on the rue Auguste Comte

Nothing is given which is not taken.

Little or nothing is taken which is not freely desired,
freely, truly and fully.

"You would not seek me if you had not found me": this is
true of all that is supremely desired and admired...

"An enigma is an animal," said the hurried, harried
schoolboy:

And a horse divided against itself cannot stand;

And a moron is a man who believes in having too many
wives: what harm is there in that?

Come, spur away,
   I have no patience for a longer stay,
   But must go down
   And leave the chargeable noise of this great town:
   I will the country see,
   Where old simplicity,
   Though hid in gray,
   Doth look more gay
   Than foppery in plush and scarlet clad.
   Farewell, you city wits, that are
   Almost at civil war--
'Tis time that I grow wise, when all the world grows mad.

   More of my days
   I will not spend to gain an idiot's praise;
   Or to make sport

(March 4, 1913)


Thine aid, O Muse, I consciously beseech;
I crave thy succour, ask for thine assistance
That men may cry: "Some little ode! A peach!"
O Muse, grant me the strength to go the distance!
For odes, I learn, are dithyrambs, and long;
Exalted feeling, dignity of theme
And complicated structure guide the song.
(All this from Webster's book of high esteem.)

Let complicated structures not becloud
My lucid lines, nor weight with overloading.

Holding with shaking hands a letter from some
Official – high up he says in the Ministry,
I note that I am invited to Birmingham,
There pedagogues to address for a decent fee.
'We like to meet,' he goes on, 'men eminent
In the field of letters each year,' and that's well put,
Though I find his words not wholly relevant
To this red-eyed fellow whose mouth tastes rank as soot.
No doubt what he's thinking of is poetry
When 'Thomas Blackburn' he writes, and not the fuss
A life makes when it has no symmetry,

After all the Shakespeare, the book
of poems they type is the saddest
in history.

But before they can finish it,
they have to wait for that Someone
who is always

looking to look away. Only then
can they strike the million
keys that spell

humiliation and grief, which are
the great subjects of Monkey
Literature

and not, as some people still
believe, the banana
and the tire.

I see you drinking at a fountain with tiny
blue hands, no, your hands are not tiny
they are small, and the fountain is in France
where you wrote me that last letter and
I answered and never heard from you again.
you used to write insane poems about
ANGELS AND GOD, all in upper case, and you
knew famous artists and most of them
were your lovers, and I wrote back, it’ all right,
go ahead, enter their lives, I’ not jealous
because we’ never met. we got close once in
New Orleans, one half block, but never met, never

The sorrow of riverside blossoms inexplicable,
And nowhere to complain -- I've gone half crazy.
I look up our southern neighbor. But my friend in wine
Gone ten days drinking. I find only an empty bed.

A thick frenzy of blossoms shrouding the riverside,
I stroll, listing dangerously, in full fear of spring.
Poems, wine -- even this profusely driven, I endure.
Arrangements for this old, white-haired man can wait.

A deep river, two or three houses in bamboo quiet,
And such goings on: red blossoms glaring with white!

Speaking of marvels, I am alive
together with you, when I might have been
alive with anyone under the sun,
when I might have been Abelard's woman
or the whore of a Renaissance pope
or a peasant wife with not enough food
and not enough love, with my children
dead of the plague. I might have slept
in an alcove next to the man
with the golden nose, who poked it
into the business of stars,
or sewn a starry flag
for a general with wooden teeth.
I might have been the exemplary Pocahontas

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,