poem

I was born in Mississippi;
I walked barefooted thru the mud.
Born black in Mississippi,
Walked barefooted thru the mud.
But, when I reached the age of twelve
I left that place for good.
My daddy chopped cotton
And he drank his liquor straight.
Said my daddy chopped cotton
And he drank his liquor straight.
When I left that Sunday morning
He was leaning on the barnyard gate.
Left my mama standing
With the sun shining in her eyes.
Left her standing in the yard
With the sun shining in her eyes.

Lured by the wall, and drawn
To stare below the roof,
Where pigeons nest aloof
From prowling cats and men,
I count the sash and bar
Secured to granite stone,
And note the daylight gone,
Supper and silence near.

Close to the wall inside,
Immured, empty of love,
A man I have wondered of
Lies patient, vacant-eye.
A month and a day ago
He stopped his car and found
A girl on the darkening ground,
And killed her in the snow.

Beside his cell, I am told,
Hardy perennial bums

My parents were sober living, and often did pray
For their family to abstain from intoxicating drink alway;
Because they knew it would lead them astray
Which no God fearing man will dare to gainsay.

Some people do say that God made strong drink,
But he is not so cruel I think;
To lay a stumbling block in his children's way,
And then punish them for going astray.

No! God has more love for his children, than mere man.
To make strong drink their souls to damn;
His love is more boundless than mere man's by far,

A MIDSUMMER NOON IN THE AUSTRALIAN FOREST

Not a bird disturbs the air!
There is quiet everywhere;
Over plains and over woods
What a mighty stillness broods.

Even the grasshoppers keep
[All the birds and insects keep]
Where the coolest shadows sleep;
Even the busy ants are found
Resting in their pebbled mound;
Even the locust clingeth now
In silence to the barky bough:
And over hills and over plains
Quiet, vast and slumbrous, reigns.

Only there's a drowsy humming

Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart

There are those who grow
gardens in their heads
paths lead from their hair
to sunny and white cities

it's easy for them to write
they close their eyes
immediately schools of images
stream down their foreheads

my imagination
is a piece of board
my sole instrument
is a wooden stick

I strike the board
it answer me
yes--yes
no--no

for others the green bell of a tree
the blue bell of water
I have a knocker
from unprotected gardens

Through airy roads he wings his instant flight
To purer regions of celestial light;
Enlarg'd he sees unnumber'd systems roll,
Beneath him sees the universal whole,
Planets on planets run their destin'd round,
And circling wonders fill the vast profound.
Th' ethereal now, and now th' empyreal skies
With growing splendors strike his wond'ring eyes:
The angels view him with delight unknown,
Press his soft hand, and seat him on his throne;
Then smilling thus: 'To this divine abode,

They please me not-- these solemn songs
That hint of sermons covered up.
'T is true the world should heed its wrongs,
But in a poem let me sup,
Not simples brewed to cure or ease
Humanity's confessed disease,
But the spirit-wine of a singing line,
Or a dew-drop in a honey cup!

The deck of an ancient ship. At the right of the stage is the mast, with a large square sail hiding a great deal of the sky and sea on that side. The tiller is at the left of the stage; it is a long oar coming through an opening in the bulwark. The deck rises in a series of steps hehind the tiller, and the stern of the ship curves overhead. When the play opens there are four persons upon the deck. Aibric stands by the tiller. Forgael sleeps upon the raised portion of the deck towards the front of the stage. Two Sailors are standing near to the mast, on which a harp is hanging.

Beautiful silvery Tay,
With your landscapes, so lovely and gay,
Along each side of your waters, to Perth all the way;
No other river in the world has got scenery more fine,
Only I am told the beautiful Rhine,
Near to Wormit Bay, it seems very fine,
Where the Railway Bridge is towering above its waters sublime,
And the beautiful ship Mars,
With her Juvenile Tare,
Both lively and gay,
Does carelessly lie By night and by day,
In the beautiful Bay
Of the silvery Tay.
Beautiful, beautiful silvery Tay,