poem

He reads my latest attempt at a poem
and is silent for a long time, until it feels
like that night we waited for Apollo,
my mother wandering in and out of her bedroom, asking,
Haven't they landed yet? At last
Dugan throws it on the table and says,
This reads like a cheap detective novel
and I've got nothing to say about it. It sits,
naked and white, with everyone's eyes
running over it. The week before
he'd said I had a problem with time,
that in my poems everything
kept happening at once. In 1969,

There is a chimp named Ai who can count to five.
There's a poet named Ai whose selected poems Vice
just won the National Book Award.
The name 'Ai' is pronounced 'I'
so that whenever I talk about the poet Ai
such as I'm teaching Ai's poems again this semester
it sounds like I'm teaching my own poems
or when I say I love Ai's work
it sounds as if I'm saying I love my own poems
but have poor grammar. I haven't had a chance
to talk much yet about this Japanese chimp
who can arrange pictures in order of the number of objects

Ye poets ragged and forlorn,
Down from your garrets haste;
Ye rhymers, dead as soon as born,
Not yet consign'd to paste;
I know a trick to make you thrive;
O, 'tis a quaint device:
Your still-born poems shall revive,
And scorn to wrap up spice.
Get all your verses printed fair,
Then let them well be dried;
And Curll must have a special care
To leave the margin wide.

Lend these to paper-sparing Pope;
And when he sets to write,
No letter with an envelope
Could give him more delight.

The song that once I dreamed about,
   The tender, touching thing,
As radiant as the rose without,
   The love of wind and wing:
The perfect verses, to the tune
   Of woodland music set,
As beautiful as afternoon,
   Remain unwritten yet.

It is too late to write them now --
   The ancient fire is cold;
No ardent lights illume the brow,
   As in the days of old.
I cannot dream the dream again;
   But, when the happy birds
Are singing in the sunny rain,

I. Kempton, Pennsylvania


Perhaps the last of the light
lifting this evening from the field of wheat

means something. Perhaps the view
includes us, and we are not errors
in the landscape

or meant to be erased. The painter, it's true,
prefers not to preserve
our figures in the brush

of hills layered into green. Perhaps he too
is careless with the truth. What lies

have you had to tell to land you here

outside Kempton, with the creek rising behind us?

1

Troy O Troy
an archeologist
will sift your ashes through his fingers
yet a fire occurred greater than that of the Iliad
for seven strings--

too few strings
one needs a chorus
a sea of laments
and thunder of mountains
rain of stone

--how to lead
people away from the ruins
how to lead
the chorus from poems--

thinks the faultless poet
respectably mute
as a pillar of salt
--The song will escape unharmed
It escaped
with flaming wing

When Monmouth the chaste read those impudent lines
Which ty'd her dear monkey so fast by the loins,
Show'd his jackanapes tricks and his apish false smiles,
And set him a chattering aloft on the tiles,
She saw with a fright,
Howe'er they came by't,
The rogues had describ'd pretty whirligig right.
And none can be certain, when scandals begin
To draw so near home, but that they shall come in.
She heard that the nine ladies' turn would be next,

And fearing some bungler should mangle the text

The Sun woke me this morning loud
and clear, saying "Hey! I've been
trying to wake you up for fifteen
minutes. Don't be so rude, you are
only the second poet I've ever chosen
to speak to personally

so why
aren't you more attentive? If I could
burn you through the window I would
to wake you up. I can't hang around
here all day."

"Sorry, Sun, I stayed
up late last night talking to Hal."

"When I woke up Mayakovsky he was
a lot more prompt" the Sun said

I have been reading Pomfret's "Choice" this spring,
A pretty kind of--sort of--kind of thing,
Not much a verse, and poem none at all,
Yet, as they say, extremely natural.
And yet I know not. There's an art in pies,
In raising crusts as well as galleries;
And he's the poet, more or less, who knows
The charm that hallows the least truth from prose,
And dresses it in its mild singing clothes.
Not oaks alone are trees, nor roses flowers;
Much humble wealth makes rich this world of ours.

It's my lunch hour, so I go
for a walk among the hum-colored
cabs. First, down the sidewalk
where laborers feed their dirty
glistening torsos sandwiches
and Coca-Cola, with yellow helmets
on. They protect them from falling
bricks, I guess. Then onto the
avenue where skirts are flipping
above heels and blow up over
grates. The sun is hot, but the
cabs stir up the air. I look
at bargains in wristwatches. There
are cats playing in sawdust.

On
to Times Square, where the sign