remember

1 How doth the city sit solitary,
that was full of people!
How is she become as a widow!
She that was great among the nations,
and princess among the provinces,
how is she become tributary!

2 She weepeth sore in the night,
and her tears are on her cheeks:
among all her lovers she hath none to comfort her:
all her friends have dealt treacherously with her,
they are become her enemies.

3 Judah is gone into captivity
because of affliction, and because of great servitude:

1. Cogida and death

At five in the afternoon.
It was exactly five in the afternoon.
A boy brought the white sheet
at five in the afternoon.
A frail of lime ready prepared
at five in the afternoon.
The rest was death, and death alone.

The wind carried away the cottonwool
at five in the afternoon.
And the oxide scattered crystal and nickel
at five in the afternoon.
Now the dove and the leopard wrestle
at five in the afternoon.
And a thigh with a desolated horn
at five in the afternoon.

beside me in this garden
are huge and daisy-like
(why not? are not
oxeye daisies a chrysanthemum?),
shrubby and thick-stalked,
the leaves pointing up
the stems from which
the flowers burst in
sunbursts. I love
this garden in all its moods,
even under its winter coat
of salt hay, or now,
in October, more than
half gone over: here
a rose, there a clump
of aconite. This morning
one of the dogs killed
a barn owl. Bob saw
it happen, tried to
intervene. The airedale

Knoledge, acquayntance, resort, fauour with grace;
Delyte, desyre, respyte wyth lyberte;
Corage wyth lust, conuenient tyme and space;
Dysdayns, dystres, exylyd cruelte;
Wordys well set with good habylyte;
Demure demenaunce, womanly of porte;
Transendyng plesure, surmountyng all dysporte;

Allectuary arrectyd to redres
These feuerous axys, the dedely wo and payne
Of thoughtfull hertys plungyd in dystres;
Refresshyng myndys the Aprell shoure of rayne;
Condute of comforte, and well most souerayne;

Hot August noon: already on that day
Since sunrise through the Wiltshire downs, most sad
Of mouth and eye, he had gone leagues of way;
Ay and by night, till whether good or bad

He was, he knew not, though he knew perchance
That he was Launcelot, the bravest knight
Of all who since the world was, have borne lance,
Or swung their swords in wrong cause or in right.

Nay, he knew nothing now, except that where
The Glastonbury gilded towers shine,
A lady dwelt, whose name was Guenevere;

On Trinitye Mondaye in the morne,
This sore battayle was doom'd to bee,
Where manye a knighte cry'd, Well-awaye!
Alacke, it was the more pittìe.

Ere the first crowinge of the cocke,
When as the kinge in his bed laye,
He thoughte Sir Gawaine to him came,
And there to him these wordes did saye:

"Nowe, as you are mine unkle deare,
And as you prize your life, this daye
O meet not with your foe in fight;
Putt off the battayle, if yee maye.

"For Sir Launcelot is nowe in Fraunce,

Over the borders, a sin without pardon,
Breaking the branches and crawling below,
Out through the breach in the wall of the garden,
Down by the banks of the river we go.
II
Here is a mill with the humming of thunder,
Here is the weir with the wonder of foam,
Here is the sluice with the race running under--
Marvellous places, though handy to home!
III
Sounds of the village grow stiller and stiller,
Stiller the note of the birds on the hill;
Dusty and dim are the eyes of the miller,

I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes

Strange now to think of you, gone without corsets & eyes, while I walk on
the sunny pavement of Greenwich Village.
downtown Manhattan, clear winter noon, and I've been up all night, talking,
talking, reading the Kaddish aloud, listening to Ray Charles blues
shout blind on the phonograph
the rhythm the rhythm--and your memory in my head three years after--
And read Adonais' last triumphant stanzas aloud--wept, realizing
how we suffer--
And how Death is that remedy all singers dream of, sing, remember,

Then a woman said, "Speak to us of Joy and Sorrow."

And he answered:

Your joy is your sorrow unmasked.

And the selfsame well from which your laughter rises was oftentimes filled with your tears.

And how else can it be?

The deeper that sorrow carves into your being, the more joy you can contain.

Is not the cup that hold your wine the very cup that was burned in the potter's oven?

And is not the lute that soothes your spirit, the very wood that was hollowed with knives?