NOW glory to the Lord of hosts, from whom all glories are!
And glory to our sovereign liege, King Henry of Navarre!
Now let there be the merry sound of music and of dance,
Through thy corn-fields green, and sunny vines, O pleasant land of France!
And thou, Rochelle, our own Rochelle, proud city of the waters,
Again let rapture light the eyes of all thy mourning daughters.
As thou went constant in our ills, be joyous in our joy;
For cold and stiff and still are they who wrought thy walls annoy.

Swallow, my sister, O sister swallow,
How can thine heart be full of the spring?
A thousand summers are over and dead.
What hast thou found in the spring to follow?
What hast thou found in thine heart to sing?
What wilt thou do when the summer is shed?

O swallow, sister, O fair swift swallow,
Why wilt thou fly after spring to the south,
The soft south whither thine heart is set?
Shall not the grief of the old time follow?
Shall not the song thereof cleave to thy mouth?
Hast thou forgotten ere I forget?

One paramount truth
our society smothers
in petty concern
with position and pelf:
It isn't enough
to exasperate others;
you've got to remember
to gladden yourself.

(To Mrs. Henry Richards)


Isaac and Archibald were two old men.
I knew them, and I may have laughed at them
A little; but I must have honored them
For they were old, and they were good to me.

I do not think of either of them now,
Without remembering, infallibly,
A journey that I made one afternoon
With Isaac to find out what Archibald
Was doing with his oats. It was high time
Those oats were cut, said Isaac; and he feared
That Archibald—well, he could never feel
Quite sure of Archibald. Accordingly

Just because we've torn their statues down,
and cast them from their temples,
doesn't for a moment mean the gods are dead.
Land of Ionia, they love you yet,

their spirits still remember you.
When an August morning breaks upon you
a vigour from their lives stabs through your air;
and sometimes an ethereal and youthful form
in swiftest passage, indistinct,

passes up above your hills.

Read by the poet at The Public Ceremonial of The Naional Institute
of Arts and Letters at Carnegie Hall, New York, January 18th, 1941.

Great Muse, that from this hall absent for long
Hast never been,
Great Muse of Song,
Colossal Muse of mighty Melody,
Vocal Calliope,
With thine august and contrapuntal brow
And thy vast throat builded for Harmony,
For the strict monumental pure design,
And the melodic line:
Be thou tonight with all beneath these rafters—be with me.
If I address thee in archaic style—

Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly
Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire
Near where it joined the Cher.
The St. Lawrence prods among black stones
And mud. But the Arno is all stones.
Wind ruffles the Hudson's
Surface. The Irawaddy is overflowing.
But the yellowish, gray Tiber
Is contained within steep banks. The Isar
Flows too fast to swim in, the Jordan's water
Courses over the flat land. The Allegheny and its boats

Into my heart an air that kills
From yon far country blows:
What are those blue remembered hills,
What spires, what farms are those?

That is the land of lost content,
I see it shining plain,
The happy highways where I went
And cannot come again.

Whate'er we leave to God, God does,
And blesses us;
The work we choose should be our own,
God leaves alone.

If with light head erect I sing,
Though all the Muses lend their force,
From my poor love of anything,
The verse is weak and shallow as its source.

But if with bended neck I grope
Listening behind me for my wit,
With faith superior to hope,
More anxious to keep back than forward it;

Making my soul accomplice there
Unto the flame my heart hath lit,
Then will the verse forever wear--

Now you hear what the house has to say.
Pipes clanking, water running in the dark,
the mortgaged walls shifting in discomfort,
and voices mounting in an endless drone
of small complaints like the sounds of a family
that year by year you've learned how to ignore.

But now you must listen to the things you own,
all that you've worked for these past years,
the murmur of property, of things in disrepair,
the moving parts about to come undone,
and twisting in the sheets remember all
the faces you could not bring yourself to love.