In the Valley of the Elwy

I remember a house where all were good
To me, God knows, deserving no such thing:
Comforting smell breathed at very entering,
Fetched fresh, as I suppose, off some sweet wood.
That cordial air made those kind people a hood
All over, as a bevy of eggs the mothering wing
Will, or mild nights the new morsels of spring:
Why, it seemed of course; seemed of right it should.

Lovely the woods, waters, meadows, combes, vales,
All the air things wear that build this world of Wales;
Only the inmate does not correspond:


In the St. Gotthardt Pass

The storm which shook the silence of the hills
And sleeping pinnacles of ancient snow
Went muttering off in one last thunder throe
Mixed with a moan of multitudinous rills;
Yea, even as one who has wept much, but stills
The flowing tears of some convulsive woe
When a fair light of hope begins to glow
Athwart the gloom of long remembered ills:

So does the face of this scarred mountain height
Relax its stony frown, while slow uprolled
Invidious mists are changed to veiling gold.


In the Secular Night

In the secular night you wander around
alone in your house. It's two-thirty.
Everyone has deserted you,
or this is your story;
you remember it from being sixteen,
when the others were out somewhere, having a good time,
or so you suspected,
and you had to baby-sit.
You took a large scoop of vanilla ice-cream
and filled up the glass with grapejuice
and ginger ale, and put on Glenn Miller
with his big-band sound,
and lit a cigarette and blew the smoke up the chimney,


In the Greenest of our Valleys

I.
In the greenest of our valleys,
By good angels tenanted,
Once fair and stately palace --
Radiant palace --reared its head.
In the monarch Thought's dominion --
It stood there!
Never seraph spread a pinion
Over fabric half so fair.

II.
Banners yellow, glorious, golden,
On its roof did float and flow;
(This --all this --was in the olden


In the Days of the Golden Rod

Across the meadow in brooding shadow
I walk to drink of the autumn's wine­
The charm of story, the artist's glory,
To-day on these silvering hills is mine;
On height, in hollow, where'er I follow,
By mellow hillside and searing sod,
Its plumes uplifting, in light winds drifting,
I see the glimmer of golden-rod.

In this latest comer the vanished summer
Has left its sunshine the world to cheer,
And bids us remember in late September
What beauty mates with the passing year.


In Praise of Mandragora

O, MANDRAGORA, many sing in praise
Of life, and death, and immortality,--
Of passion, that goes famished all her days,--
Of Faith, or fantasy;
Thou, all unpraised, unsung, I make this rhyme to thee.

The womby underworlds thy roots enclose,
In human shape, sprung from abhorrent seed;
But when through crumbling roof the daylight shows,
And thou my breast hast freed
Thou growest in the field as any flower or weed.

At many a cross-road bare thy leaves protrude,


In London

When I look out on London's teeming streets,
On grim grey houses, and on leaden skies,
My courage fails me, and my heart grows sick,
And I remember that fair heritage
Barter'd by me for what your London gives.
This is not Nature's city: I am kin
To whatsoever is of free and wild,
And here I pine between these narrow walls,
And London's smoke hides all the stars from me,
Light from mine eyes, and Heaven from my heart.

For in an island of those Southern seas
That lie behind me, guarded by the Cross


Improved Farm Land

Tall timber stood here once, hee on a corn belt farm along the Monon.
Here the roots of a half-mile of trees dug their runners deep in the loam for a grip and a hold against wind storms.
Then the axemen came and the chips flew to the zing of steel and handle--the lank railsplitters cut the big ones first, the beeches and the oaks, then the brush.
Dynamite, wagons, and horses took the stumps--the plows sunk their teeth in--now it is first class corn land--omproved property--and the hogs grunt over the fodder crops.


Improvisations Light and Snow

I

The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,


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