river

Observe the clasped hands!
Are they hands of farewell or greeting,
Hands that I helped or hands that helped me?
Would it not be well to carve a hand
With an inverted thumb, like Elagabalus?
And yonder is a broken chain,
The weakest-link idea perhaps --
But what was it?
And lambs, some lying down,
Others standing, as if listening to the shepherd --
Others bearing a cross, one foot lifted up --
Why not chisel a few shambles?
And fallen columns! Carve the pedestal, please,

I lost my patronage in Spoon River
From trying to put my mind in the camera
To catch the soul of the person.
The very best picture I ever took
Was of Judge Somers, attorney at law.
He sat upright and had me pause
Till he got his cross-eye straight.
Then when he was ready he said "all right."
And I yelled "overruled" and his eye turned up.
And I caught him just as he used to look
When saying "I except."

Horses and men are just alike.
There was my stallion, Billy Lee,
Black as a cat and trim as a deer,
With an eye of fire, keen to start,
And he could hit the fastest speed
Of any racer around Spoon River.
But just as you'd think he couldn't lose,
With his lead of fifty yards or more,
He'd rear himself and throw the rider,
And fall back over, tangled up,
Completely gone to pieces.
You see he was a perfect fraud:
He couldn't win, he couldn't work,
He was too light to haul or plow with,

I called to the summer sun,
“Come over the hills to-day!
Unlock the rivers, and tell them to run,
And kiss the snow-drifts and melt them away.”
And the sun came over – a tardy lover –
And unlocked the river, and told it to glide,
And kissed the snow-drift till it fainted and died.

I called to the robin, “Come back!
Come up from the south and sing! ”
And robin sailed up on an airy track,
And smoothed down his feathers and oiled his wing.
And the notes came gushing, gurgling, rushing,

". . . Consider that the meritorious services of the Sergeant Instructors attached to the Egyptian Army haue been inadequately acknowledged. . . . To the excellence of their work is mainly due the great improvement that has taken place in the soldiers of H.H. the Khedive." -- Extract from Letter, 1897


Said England unto Pharaoh, "I must make a man of you,
That will stand upon his feet and play the game;
That will Maxim his oppressor as a Christian ought to do,"
And she sent old Pharaoh Sergeant Whatisname.

"Death is to us change, not consummation."
Heart of Midlothian.

A change! no, surely, not a change,
   The change must be before we die;
Death may confer a wider range,
   From pole to pole, from sea to sky,
It cannot make me new or strange
   To mine own Personality!

For what am I? -- this mortal flesh,
   These shrinking nerves, this feeble frame,
For ever racked with ailments fresh
   And scarce from day to day the same --
A fly within the spider's mesh,

When the light falls on winter evenings
And the river makes no sound in its passing
Behind the house, is silent but for its cold
Flowing, its reeds frozen stiffer than glass
How can one anticipate the dawn, a sudden
Blazing of sunlight thawing the harshest sky?
How can one not remember summer evenings?
Must not the tired heart sink and must not fear
Bite, like an acid, wrinkles in its stone?


Behind drawn curtains, gazing at the fire,
Think how the earth spins dumb and bound

Listen, my children, and you shall hear
Of the midnight ride of Paul Revere,
On the eighteenth of April, in 'Seventy-five;
Hardly a man is now alive
Who remembers that famous day and year.

He said to his friend, "If the British march
By land or sea from the town to-night,
Hang a lantern aloft in the belfry arch
Of the North Church tower as a signal light, --
One, if by land, and two, if by sea;
And I on the opposite shore will be,
Ready to ride and spread the alarm
Through every Middlesex village and farm,

They did not recognize me in the shadows
That suck away my color in this Passport
And to them my wound was an exhibit
For a tourist Who loves to collect photographs
They did not recognize me,
Ah... Don't leave
The palm of my hand without the sun
Because the trees recognize me
Don't leave me pale like the moon!

All the birds that followed my palm
To the door of the distant airport
All the wheatfields
All the prisons
All the white tombstones
All the barbed Boundaries

Who set, between those rocks like cinder,
to show the honey of dream,
that golden broom,
those blue rosemaries?
Who painted the purple mountains
and the saffron, sunset sky?
The hermitage, the beehives,
the cleft of the river
the endless rolling water deep in rocks,
the pale-green of new fields,
all of it, even the white and pink
under the almond trees!