Who set, between those rocks like cinder,
to show the honey of dream,
that golden broom,
those blue rosemaries?
Who painted the purple mountains
and the saffron, sunset sky?
The hermitage, the beehives,
the cleft of the river
the endless rolling water deep in rocks,
the pale-green of new fields,
all of it, even the white and pink
under the almond trees!

A RETURN TO THE COVER OF

THIS BOOK



Dear Trout Fishing in America:



I met your friend Fritz in Washington Square. He told me

to tell you that his case went to a jury and that he was acquit-

ted by the jury.

He said that it was important for me to say that his case

went to a jury and that he was acquitted by the jury,

said it again.

He looked in good shape. He was sitting in the sun. There's

an old San Francisco saying that goes: "It's better to rest in

THE HUNCHBACK TROUT





The creek was made narrow by little green trees that grew

too close together. The creek was like 12, 845 telephone

booths in a row with high Victorian ceilings and all the doors

taken off and all the backs of the booths knocked out.

Sometimes when I went fishing in there, I felt just like a

telephone repairman, even though I did not look like one. I

was only a kid covered with fishing tackle, but in some

strange way by going in there and catching a few trout, I

THE AUTOPSY OF

TROUT FISHING IN AMERICA



This is the autopsy of Trout Fishing in America as if Trout

Fishing in America had been Lord Byron and had died in

Missolonghi, Greece, and afterward never saw the shores

of Idaho again, never saw Carrie Creek, Worsewick Hot

Springs, Paradise Creek, Salt Creek and Duck Lake again.

The Autopsy of Trout Fishing in America:

"The body was in excellent state and appeared as one that

SEA, SEA RIDER


The man who owned the bookstore was not magic. He was not a

three-legged crow on the dandelion side of the mountain.

He was, of course, a Jew, a retired merchant seaman

who had been torpedoed in the North Atlantic and floated

there day after day until death did not want him. He had a

young wife, a heart attack, a Volkswagen and a home in

Marin County. He liked the works of George Orwell, Richard

Aldington and Edmund Wilson.

He learned about life at sixteen, first from Dostoevsky

As one who in his journey bates at noon,
Though bent on speed; so here the Arch-Angel paused
Betwixt the world destroyed and world restored,
If Adam aught perhaps might interpose;
Then, with transition sweet, new speech resumes.
Thus thou hast seen one world begin, and end;
And Man, as from a second stock, proceed.
Much thou hast yet to see; but I perceive
Thy mortal sight to fail; objects divine
Must needs impair and weary human sense:
Henceforth what is to come I will relate;
Thou therefore give due audience, and attend.

Limber-limbed, lazy god, stretched on the rock,
Where is sweet Echo, and where is your flock?
What are you making here? "Listen," said Pan, --
"Out of a river-reed music for man!"

Surging like a vast current of salmon or sheatfish,
Coiling up and down like an iron serpent
That rears now its torso, now its head,
The armed horsemen breast the prairie grass. --
But hold! my song's device breaks down:
My Muse begs a rest, having drained her cup
Empty of sweet nectar; and so, farewell
To you, on that steppeland rise,


My pair of golden, sun-drenched statues!
My iron ranks wallowing in the grass and herbage!
One needs here the yearning of a Malczewski--
The kind found in men who are half angels.

1.

O goat-foot God of Arcady!
This modern world is grey and old,
And what remains to us of thee?

No more the shepherd lads in glee
Throw apples at thy wattled fold,
O goat-foot God of Arcady!

Nor through the laurels can one see
Thy soft brown limbs, thy beard of gold,
And what remains to us of thee?

And dull and dead our Thames would be,
For here the winds are chill and cold,
O goat-foot God of Arcady!

Then keep the tomb of Helice,
Thine olive-woods, thy vine-clad wold,

Men with picked voices chant the names
of cities in a huge gallery: promises
that pull through descending stairways
to a deep rumbling.

The rubbing feet
of those coming to be carried quicken a
grey pavement into soft light that rocks
to and fro, under the domed ceiling,
across and across from pale
earthcolored walls of bare limestone.

Covertly the hands of a great clock
go round and round! Were they to
move quickly and at once the whole
secret would be out and the shuffling
of all ants be done forever.