Soul of the Poet ! wheresoe'er,
Reclaimed from earth, thy genius plume
Her wings of immortality ;
Suspend thy harp in happier sphere,
And with thine influence illume
The gladness of our jubilee.

And fly like fiends from secret spell,
Discord and Strife, at Burn's name,
Exorcised by his memory ;
For he was chief of bards that swell
The heart with songs of social flame,
And high delicious revelry.

And Love's own strain to him was given,
To warble all its ecstacies
With Pythian words unsought, unwilled,—

WHERE o'er my head, the deaf'ning Tempest blew,
And Night's cold lamp cast forth a feeble ray;
Where o'er the woodlands, vivid light'nings flew,
Cleft the strong oak, and scorch'd the blossom'd spray;
At morn's approach, I mark the sun's warm glow
O'er the grey hill a crimson radiance throw;
I mark the silv'ry fragrant dew,
Give lustre to the vi'let's hue;
The shallow rivers o'er their pebbly way,
In slow meanders murmuring play;
Day spreads her beams, the lofty forest tree,
Shakes from its moisten'd head the pearly show'r,

My mother was for woman's rights
And my father was the rich miller at London Mills.
I dreamed of the wrongs of the world and wanted to right them.
When my father died, I set out to see peoples and countries
In order to learn how to reform the world.
I traveled through many lands.
I saw the ruins of Rome,
And the ruins of Athens,
And the ruins of Thebes.
And I sat by moonlight amid the necropolis of Memphis.
There I was caught up by wings of flame,
And a voice from heaven said to me:
"Injustice, Untruth destroyed them. Go forth!

O Solitude! if I must with thee dwell,
Let it not be among the jumbled heap
Of murky buildings: climb with me the steep,—
Nature's observatory—whence the dell,
In flowery slopes, its river's crystal swell,
May seem a span; let me thy vigils keep
'Mongst boughs pavilioned, where the deer's swift leap
Startles the wild bee from the foxglove bell.
But though I'll gladly trace these scenes with thee,
Yet the sweet converse of an innocent mind,
Whose words are images of thoughts refined,
Is my soul's pleasure; and it sure must be

(Robert Frost, 1875-1963)


Whose wood this is I think I know:
He made it sacred long ago:
He will expect me, far or near
To watch that wood immense with snow.

That famous horse must feel great fear
Now that his noble rider's no longer here:
He gives his harness bells to rhyme
--Perhaps he will be back, in time?

All woulds were promises he kept
Throughout the night when others slept:
Now that he knows all that he did not know,
His wood is holy, and full of snow,
and all the beauty he made holy long long ago

The light along the hills in the morning
comes down slowly, naming the trees
white, then coasting the ground for stones to nominate.

Notice what this poem is not doing.

A house, a house, a barn, the old
quarry, where the river shrugs--
how much of this place is yours?

Notice what this poem is not doing.

Every person gone has taken a stone
to hold, and catch the sun. The carving
says, "Not here, but called away."

Notice what this poem is not doing.

The sun, the earth, the sky, all wait.

There are cemeteries that are lonely,
graves full of bones that do not make a sound,
the heart moving through a tunnel,
in it darkness, darkness, darkness,
like a shipwreck we die going into ourselves,
as though we were drowning inside our hearts,
as though we lived falling out of the skin into the soul.

And there are corpses,
feet made of cold and sticky clay,
death is inside the bones,
like a barking where there are no dogs,
coming out from bells somewhere, from graves somewhere,
growing in the damp air like tears of rain.

CALM and fair
Flows the stream of Nora’s life,
Moving with a lazy air
Far from strife.

Goddesses
Must have looked from just such eyes,
Full of still felicities,—
No surprise,

No endeavour
(For endeavour mars perfection),
And, one almost fancies, never
Strong affection.

Far too cold
Seems that face for dream of mine,
Though, if set in sculptured mould,
How divine!

As she stands

She sits in the dust at the walls
And makes cigars,
Bending at the bench
With fingers wage-anxious,
Changing her sweat for the day's pay.

Now the noon hour has come,
And she leans with her bare arms
On the window-sill over the river,
Leans and feels at her throat
Cool-moving things out of the free open ways:

At her throat and eyes and nostrils
The touch and the blowing cool
Of great free ways beyond the walls.

I bend to the ground
to catch
something whispered,
urgent, drifting
across the ditches.
The heaviness of
flies stuttering
in orbit, dirt
ripening, the sweat
of eggs.
There are
small streams
the width ofa thumb
running in the villages
of sheaves, whole
eras of grain
wakening on
the stalks, a roof
that breathes over
my head.
Behind me
the tracks creaking
like a harness,
an abandoned bicycle
that cries and cries,
a bottle of common