school

You would not believe, would you
That I came from good Welsh stock?
That I was purer blooded than the white trash here?
And of more direct lineage than the New Englanders
And Virginians of Spoon River?
You would not believe that I had been to school
And read some books.
You saw me only as a run-down man,
With matted hair and beard
And ragged clothes.
Sometimes a man's life turns into a cancer
From being bruised and continually bruised,
And swells into a purplish mass,
Like growths on stalks of corn.

Still sits the school-house by the road,
A ragged beggar sleeping;
Around it still the sumachs grow,
And blackberry-vines are creeping.

Within, the master's desk is seen,
Deep-scarred by raps official;
The warping floor, the battered seats,
The jack-knife's carved initial;

The charcoal frescoes on its wall;
Its door's worn sill, betraying
The feet that, creeping slow to school,
Went storming out to playing!

Long years ago a winter sun
Shone over it at setting;

IN the Dean's porch a nest of clay
With five small tentants may be seen;
Five solemn faces, each as wise
As if its owner were a Dean.

Five downy fledglings in a row,
Packed close, as in the antique pew
The school-girls are whose foreheads clear
At the Venite shine on you.

Day after day the swallows sit
With scarce a stir, with scarce a sound,
But dreaming and digesting much
They grow thus wise and soft and round:

They watch the Canons come to dine,

In Arthur's house whileome was I
When happily the time went by
In midmost glory of his days.
He held his court then in a place
Whereof ye shall not find the name
In any story of his fame:
Caerliel good sooth men called it not,
Nor London Town, nor Camelot;
Yet therein had we bliss enow.
--Ah, far off was the overthrow
Of all that Britain praised and loved;
And though among us lightly moved
A love that could but lead to death,
Smooth-skinned he seemed, of rosy breath,
A fear to sting a lady's lip,

Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,

I see the Four-fold Man, The Humanity in deadly sleep
And its fallen Emanation, the Spectre and its cruel Shadow.
I see the Past, Present and Future existing all at once
Before me. O Divine Spirit, sustain me on thy wings,
That I may awake Albion from his long and cold repose;
For Bacon and Newton, sheath'd in dismal steel, their terrors hang
Like iron scourges over Albion: reasonings like vast serpents
Infold around my limbs, bruising my minute articulations.

Today, I sat me down to ponder
Why I write like this:
Four metric feet, first line of text,
And three feet in the next.
This sing-song meter ambles on
From line to line, and then,
A rhyme is put, delightfully,
To have the stanza end.

From where the rhythm and the style?
From where I caught the rhyme?
I thought back to my schooling days,
And poem-reading time.

Ancient Mariner is one
That I remember well:
Its rhyme and rhythm still come through,
As clearly as a bell:

51

I often passed the village
When going home from school—
And wondered what they did there—
And why it was so still—

I did not know the year then—
In which my call would come—
Earlier, by the Dial,
Than the rest have gone.

It's stiller than the sundown.
It's cooler than the dawn—
The Daisies dare to come here—
And birds can flutter down—

So when you are tired—
Or perplexed—or cold—
Trust the loving promise
Underneath the mould,
Cry "it's I," "take Dollie,"

'The devil must be forced to reveal any such physical evil
(potions, charms, fetishes, etc.) still outside the body
and these must be burned.' (Rituale Romanum, published
1947, endorsed by the coat-of-arms and introductory
letter from Francis cardinal Spellman)


I am a cowboy in the boat of Ra,
sidewinders in the saloons of fools
bit my forehead like O
the untrustworthiness of Egyptologists
who do not know their trips. Who was that
dog-faced man? they asked, the day I rode
from town.