One O'Clock in the Morning

At last! I am alone! Nothing can be heard but the rumbling of a few belated and weary cabs. For a few hours at least silence will be ours, if not sleep. At last! The tyranny of the human face has disappeared, and now there will be no one but myself to make me suffer.

At last! I am allowed to relax in a bath of darkness! First a double turn of the key in the lock. This turn of the key will, it seems to me, increase my solitude and strengthen the barricades that, for the moment, separate me from the world.


On the Breakwater

On the breakwater in the summer dark, a man and a girl are sitting,
She across his knee and they are looking face into face
Talking to each other without words, singing rythms in silence to each other.

A funnel of white ranges the blue dusk from an outgoing boat,
Playing its searchlight, puzzled, abrupt, over a streak of green,
And two on the breakwater keep their silence, she on his knee.


On The Murder Of Lieutenant Jose Del Castillo By The Falangist Bravo Martinez, July 12, 1936

When the Lieutenant of the Guardia de Asalto
heard the automatic go off, he turned
and took the second shot just above
the sternum, the third tore away
the right shoulder of his uniform,
the fourth perforated his cheek. As he
slid out of his comrade's hold
toward the gray cement of the Ramblas
he lost count and knew only
that he would not die and that the blue sky
smudged with clouds was not heaven
for heaven was nowhere and in his eyes
slowly filling with their own light.


On the desert

On the desert
A silence from the moon's deepest valley.
Fire rays fall athwart the robes
Of hooded men, squat and dumb.
Before them, a woman
Moves to the blowing of shrill whistles
And distant thunder of drums,
While mystic things, sinuous, dull with terrible colour,
Sleepily fondle her body
Or move at her will, swishing stealthily over the sand.
The snakes whisper softly;
The whispering, whispering snakes,
Dreaming and swaying and staring,
But always whispering, softly whispering.


On the Bluff

O grandly flowing River!
O silver-gliding River!
Thy springing willows shiver
In the sunset as of old;
They shiver in the silence
Of the willow-whitened islands,
While the sun-bars and the sand-bars
Fill air and wave with gold.

O gay, oblivious River!
O sunset-kindled River!
Do you remember ever
The eyes and skies so blue
On a summer day that shone here,
When we were all alone here,
And the blue eyes were too wise
To speak the love they knew?


On Hearing that Constantinople Was Swallowed Up by an Earthquake

[A Report, though false, at that time generally believed.]


Fallen are thy towers, Byzantium! towers that stood
Before the Turk's dread fury, when he came,
The crescent sparkling amidst Christian blood,
And to the reeking den of Moloch turned
Sophia's holy fane! Where, where are now,
Imperial city, the late proud remains
Of thy brave founder's greatness, when he clothed
In worldly grandeur pure Religion's form;
Then placed beside him, placed upon a throne,
The lowly Nazarene's meek simple child!....


On Calais Sands

ON Calais Sands the gray began,
Then rosy red above they gray;
The morn with many a scarlet van
Leaped, and the world was glad with May!
The little waves along the bay
Broke white upon the shelving strands;
The sea-mews flitted white as they
On Calais Sands!

On Calais Sands must man with man
Wash honor clean in blood to-day;
On spaces wet from waters wan
How white the flashing rapiers play,—
Parry, riposte! and lunge! The fray


On Australian Hills

Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.


Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,


On a Viola D'Amore

CARVED WITH A CUPID'S HEAD, AND PLAYED ON FOR THE FIRST TIME AFTER MORE THAN A CENTURY.


What fairy music clear and light,
Responsive to your fingers,
Swells rippling on the summer night,
And amorously lingers
Upon the sense, as long ago
In days of rouge and rococo!

A century of silence lay
On strings that had not spoken
Since powdered lords to ladies gay
Gave, for a lover's token,
Fans glowing fresh from Watteau's art,
Well worth a marchioness's heart.


Old Susan

When Susan's work was done, she'd sit
With one fat guttering candle lit,
And window opened wide to win
The sweet night air to enter in;
There, with a thumb to keep her place
She'd read, with stern and wrinkled face.
Her mild eyes gliding very slow
Across the letters to and fro,
While wagged the guttering candle flame
In the wind that through the window came.
And sometimes in the silence she
Would mumble a sentence audibly,
Or shake her head as if to say,
"You silly souls, to act this way!"


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