sometimes

So how is life with your new bloke?
Simpler, I bet. Just one stroke
of his quivering oar and the skin
of the Thames goes into a spin,

eh? How is life with an oarsman? Better?
More in--out? Athletic? Wetter?
When you hear the moan of the rowlocks,
do you urge him on like a cox?

Tell me, is he bright enough to find
that memo-pad you call a mind?
Or has he contrived to bring you out--
given you an in-tray and an out?

How did I ever fall for a paper-clip?

Sometimes I dip my pen and find the bottle full of fire,
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold. I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think."
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—

You found my life, a poor lame bird
That had no heart to sing,
You would not speak the magic word
To give it voice and wing.

Yet sometimes, dreaming of that hour,
I think, if you had known
How much my life was in your power,
It might have sung and flown.

Hover
the imagined center, our tongues
grew long to please it, licking

the walls, a chamber built of scent,

a moment followed by a lesser moment
& a hunger to return. It couldn't last. Resin

flowed glacially from wounds in the bark
pinned us in our entering
as the orchids opened wider. First,

liquid, so we swam until we couldn't.
Then it felt like sleep, the taste of nectar

still inside us. Sometimes a flower

became submerged with us. A million years

I had a gig-horse, and I called him Pleasure
Because on Sundays for a little jaunt
He was so fast and showy, quite a treasure;
Although he sometimes kicked and shied aslant.
I had a chaise, and christened it Enjoyment,
With yellow body and the wheels of red,
Because it was only used for one employment,
Namely, to go wherever Pleasure led.
I had a wife, her nickname was Delight:
A son called Frolic, who was never still:
Alas! how often dark succeeds to bright!
Delight was thrown, and Frolic had a spill,

The irresponsive silence of the land,
   The irresponsive sounding of the sea,
   Speak both one message of one sense to me:--
Aloof, aloof, we stand aloof, so stand
Thou too aloof, bound with the flawless band
   Of inner solitude; we bind not thee;
   But who from thy self-chain shall set thee free?
What heart shall touch thy heart? What hand thy hand?
And I am sometimes proud and sometimes meek,
   And sometimes I remember days of old
When fellowship seem'd not so far to seek,

the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

Ah, if you knew how soon and late
My eyes long for a sight of you
Sometimes in passing by my gate
You'd linger until fall of dew,
If you but knew!

Ah, if you knew how sick and sore
My life flags for the want of you,
Straightway you'd enter at the door
And clasp my hand between your two,
If you but knew!

Ah, if you knew how lost and lone
I watch and weep and wait for you,
You'd press my heart close to your own
Till love had healed me through and through,

I must do as you do? Your way I own
Is a very good way, and still,
There are sometimes two straight roads to a town,
One over, one under the hill.

You are treading the safe and the well-worn way,
That the prudent choose each time;
And you think me reckless and rash to-day
Because I prefer to climb.

Your path is the right one, and so is mine.
We are not like peas in a pod,
Compelled to lie in a certain line,
Or else be scattered abroad.

'T were a dull old world, methinks, my friend,

Most explicit--
the sense of trap

as a narrowing
cone one's got

stuck into and
any movement

forward simply
wedges once more--

but where
or quite when,

even with whom,
since now there is no one

quite with you--Quite? Quiet?
English expression: Quait?

Language of singular
impedance? A dance? An

involuntary gesture to
others not there? What's

wrong here? How
reach out to the

other side all