NOW the lusty spring is seen;
   Golden yellow, gaudy blue,
   Daintily invite the view:
Everywhere on every green
Roses blushing as they blow,
   And enticing men to pull,
Lilies whiter than the snow,
   Woodbines of sweet honey full:
   All love's emblems, and all cry,
   'Ladies, if not pluck'd, we die.'

Yet the lusty spring hath stay'd;
   Blushing red and purest white
   Daintily to love invite

In wandering through waste places of the world,
I met my love and knew not she was mine.
But soon a light more tender, more divine,
Filled earth and heaven; richer cloud-curtains furled
The west at eve; a softer flush impearled
The gates of dawn; a note more pure and fine
Rang in the thrush's song; a rarer shine
Varnished the leaves by May's sweet sun uncurled.
To me, who loved but knew not, all the air
Trembled to shocks of far-off melodies,
As all the summer's rustling thrills the trees

Now do I know that Love is blind, for I
Can see no beauty on this beauteous earth,
No life, no light, no hopefulness, no mirth,
Pleasure nor purpose, when thou art not nigh.
Thy absence exiles sunshine from the sky,
Seres Spring's maturity, checks Summer's birth,
Leaves linnet's pipe as sad as plover's cry,
And makes me in abundance find but dearth.
But when thy feet flutter the dark, and thou
With orient eyes dawnest on my distress,
Suddenly sings a bird on every bough,
The heavens expand, the earth grows less and less,

YES, love, the Spring shall come again,
But not as once it came:
Once more in meadow and in lane
The daffodils shall flame,
The cowslips blow, but all in vain;
Alike, yet not the same.

The roses that we pluck’d of old
Were dew’d with heart’s delight;
Our gladness steep’d the primrose-gold
In half its lovely light:
The hopes are long since dead and cold
That flush’d the wind-flowers’ white.

Oh, who shall give us back our Spring?
What spell can fill the air

There is a looker-on who sits behind my eyes. I seems he has seen
things in ages and worlds beyond memory's shore, and those
forgotten sights glisten on the grass and shiver on the leaves. He
has seen under new veils the face of the one beloved, in twilight
hours of many a nameless star. Therefore his sky seems to ache with
the pain of countless meetings and partings, and a longing pervades
this spring breeze, -the longing that is full of the whisper of
ages without beginning.

Loveliest of trees, the cherry now
Is hung with bloom along the bough,
And stands about the woodland ride
Wearing white for Eastertide.

Now, of my threescore years and ten,
Twenty will not come again,
And take from seventy springs a score,
It only leaves me fifty more.

And since to look at things in bloom
Fifty springs are little room,
About the woodlands I will go
To see the cherry hung with snow.

Ah! that God once would touch my lips with song
To pierce, as prayer doth heaven, earth’s breast of iron,
So that with sweet mouth I might sing to thee,
O sweet dead singer buried by the sea,
A song, to woo thee, as a wooing siren,
Out of that silent sleep which seals too long
Thy mouth of melody.
For, if live lips might speak awhile to dead,
Or any speech could reach the sad world under
This world of ours, song surely should awake
Thee who didst dwell in shadow for song’s sake!
Alas! thou canst not hear the voice of thunder,

Many a beauteous flower doth spring
From the tears that flood my eyes,
And the nightingale doth sing
In the burthen of my sighs.

If, O child, thou lovest me,
Take these flowerets fair and frail,
And my soul shall waft to thee
Love songs of the nightingale.

Love lives beyond
The tomb, the earth, which fades like dew-
I love the fond,
The faithful, and the true.
Love lies in sleep,
The happiness of healthy dreams,
Eve's dews may weep,
But love delightful seems.
'Tis seen in flowers,
And in the even's pearly dew
On earth's green hours,
And in the heaven's eternal blue.

'Tis heard in spring
When light and sunbeams, warm and kind,
On angels wing
Bring love and music to the wind.
And where is voice
So young, so beautiful, so sweet
As nature's choice,

Earliest morning, switching all the tracks
that cross the sky from cinder star to star,
coupling the ends of streets
to trains of light.

now draw us into daylight in our beds;
and clear away what presses on the brain:
put out the neon shapes
that float and swell and glare

down the gray avenue between the eyes
in pinks and yellows, letters and twitching signs.
Hang-over moons, wane, wane!
From the window I see

an immense city, carefully revealed,