FYTTE I.

'Look at the Clock!' quoth Winifred Pryce,
As she open'd the door to her husband's knock,
Then paus'd to give him a piece of advice,
'You nasty Warmint, look at the Clock!
Is this the way, you
Wretch, every day you
Treat her who vow'd to love and obey you?
Out all night!
Me in a fright;
Staggering home as it's just getting light!
You intoxified brute! you insensible block!
Look at the Clock!-- Do!-- Look at the Clock!'

Winifred Pryce was tidy and clean,

Long Pont's apparitional
this warm spring morning,
the strand a blur of sandy light,


and the square white
of the lighthouse-separated from us
by the bay's ultramarine


as if it were nowhere
we could ever go-gleams
like a tower's ghost, hazing


into the rinsed blue of March,
our last outpost in the huge
indetermination of sea.


It seems cheerful enough,
in the strengthening sunlight,
fixed point accompanying our walk

along the shore. Sometimes I think
it's the where-we-will be,

Long long ago I went through the castle of leaves
Yellowing slowly in the moss
And far away barnacles clung desperately to rocks in the sea
Your memory better still your tender presence was there too
Transparent and mine
Nothing had changed but everything had aged at the same rate as my temples and
my eyes
Don't you just love that platitude? Let me go it's so rare for me this ironic
satisfaction
Everything had aged except your presence
Long long ago I went through the surf on a lonely day
The waves were unreal even then

(In Memoriam.)


They trod the streets and squares where now I tread,
With weary hearts, a little while ago;
When, thin and grey, the melancholy snow
Clung to the leafless branches overhead;
Or when the smoke-veiled sky grew stormy-red
In autumn; with a re-arisen woe
Wrestled, what time the passionate spring winds blow;
And paced scorched stones in summer:--they are dead.

The sorrow of their souls to them did seem
As real as mine to me, as permanent.
To-day, it is the shadow of a dream,

Live blindly and upon the hour. The Lord,
Who was the Future, died full long ago.
Knowledge which is the Past is folly. Go,
Poor child, and be not to thyself abhorred.
Around thine earth sun-winged winds do blow
And planets roll; a meteor draws his sword;
The rainbow breaks his seven-coloured chord
And the long strips of river-silver flow:
Awake! Give thyself to the lovely hours.
Drinking their lips, catch thou the dream in flight
About their fragile hairs' aerial gold.
Thou art divine, thou livest, -- as of old

See, what a wonderful garden is here,
Planted and trimmed for my Little-Oh-Dear!
Posies so gaudy and grass of such brown -
Search ye the country and hunt ye the town
And never ye'll meet with a garden so queer
As this one I've made for my Little-Oh-Dear!

Marigolds white and buttercups blue,
Lilies all dabbled with honey and dew,
The cactus that trails over trellis and wall,
Roses and pansies and violets - all
Make proper obeisance and reverent cheer
When into her garden steps Little-Oh-Dear.

Come out, O Little Moccasins, and frolic on the snow!
Come out, O tiny beaded feet, and twinkle in the light!
I'll play the old Red River reel, you used to love it so:
Awake, O Little Moccasins, and dance for me to-night!
II
Your hair was all a gleamy gold, your eyes a corn-flower blue;
Your cheeks were pink as tinted shells, you stepped light as a fawn;
Your mouth was like a coral bud, with seed pearls peeping through;
As gladdening as Spring you were, as radiant as dawn.
III
Come out, O Little Moccasins! I'll play so soft and low,

I don't go much on religion,
I never ain't had no show;
But I've got a middlin' tight grip, sir,
On the handful o' things I know.
I don't pan out on the prophets
And free-will, and that sort of thing,
But I b'lieve in God and the angels,
Ever sence one night last spring.

I come into town with some turnips,
And my little Gabe come along,
No four-year-old in the county
Could beat him for pretty and strong,
Peart and chipper and sassy,
Always ready to swear and fight,
And I'd larnt him to chaw terbacker

'T is you that are the music, not your song.
The song is but a door which, opening wide,
Lets forth the pent-up melody inside,
Your spirit's harmony, which clear and strong
Sings but of you. Throughout your whole life long
Your songs, your thoughts, your doings, each divide
This perfect beauty; waves within a tide,
Or single notes amid a glorious throng.
The song of earth has many different chords;
Ocean has many moods and many tones
Yet always ocean. In the damp Spring woods
The painted trillium smiles, while crisp pine cones

IN Celia's face a question did arise,
Which were more beautiful, her lips or eyes ?
“ We,” said the eyes, “send forth those pointed darts
Which pierce the hardest adamantine hearts.”
“ From us,” repli'd the lips, “proceed those blisses
Which lovers reap by kind words and sweet kisses.”
Then wept the eyes, and from their springs did pour
Of liquid oriental pearl a shower ;
Whereat the lips, moved with delight and pleasure,
Through a sweet smile unlock'd their pearly treasure
And bad Love judge, whether did add more grace