For one long term, or e'er her trial came,
Here Brownrigg linger'd. Often have these cells
Echoed her blasphemies, as with shrill voice
She scream'd for fresh Geneva. Not to her
Did the blithe fields of Tothill, or thy street
St. Giles, its fair varieties expand;
Till at the last in slow drawn cart she went
To execution. Dost thou ask her crime?
She whipp'd two female 'prentices to death,
And hid them in the coal-hole. For her mind
Shap'd strictest plans of discipline. Sage schemes!
Such as Lycurgus taught, when at the shrine

It is the summer bears ruled, the last summer
of pure breathlessness
when I moved unaware, taken in
by the netted branches of raspberries, held
in trance by the sweet air
of the orchards. My grandfather
died at home one night in early July
as expected, and the white clouds drifted like snow
on the face of the black lake.
Grandmother swept her porch clean, every morning
pushed grief under the railings like wisps
of an old bird's nest. Together
we watched the she-bear heave both bins

The city's all a-shining
Beneath a fickle sun,
A gay young wind's a-blowing,
The little shower is done.
But the rain-drops still are clinging
And falling one by one --
Oh it's Paris, it's Paris,
And spring-time has begun.

I know the Bois is twinkling
In a sort of hazy sheen,
And down the Champs the gray old arch
Stands cold and still between.
But the walk is flecked with sunlight
Where the great acacias lean,
Oh it's Paris, it's Paris,
And the leaves are growing green.

What it must be like to be an angel
or a squirrel, we can imagine sooner.

The last time we go to bed good,
they are there, lying about darkness.

They dandle us once too often,
these friends who become our enemies.

Suddenly one day, their juniors
are as old as we yearn to be.

They get wrinkles where it is better
smooth, odd coughs, and smells.

It is grotesque how they go on
loving us, we go on loving them

The effrontery, barely imaginable,
of having caused us.And of how.

Their lives: surely

Man, I suck me tooth when I hear
How dem croptime fiddlers lie,
And de wailing, kiss-me-arse flutes
That bring water to me eye!
Oh, when I t'ink how from young
I wasted time at de fetes,
I could bawl in a red-eyed rage
For desire turned to regret,
Not knowing the truth that I sang
At parang and la commette.
Boy, every damned tune them tune
Of love that go last forever
Is the wax and the wane of the moon
Since Adam catch body-fever.

I old, so the young crop won't
Have these claws to reap their waist,

There is no way not to be excited
When what you have been disillusioned by raises its head
From its arms and seems to want to talk to you again.
You forget home and family
And set off on foot or in your automobile
And go to where you believe this form of reality
May dwell. Not finding it there, you refuse
Any further contact
Until you are back again trying to forget
The only thing that moved you (it seems) and gave what you forever will
have
But in the form of a disillusion.
Yet often, looking toward the horizon

A dove lived in a village.
When it opened its mouth
sweetness came out, sound
like a silver light around
the cherry bough. But
the dove wasn't satisfied.

It saw the villagers
gathered to listen under
the blossoming tree.
It didn't think: I
am higher that they are.
It wanted to wealk among them,
to experience the violence of human feeling,
in part for its song's sake.

So it became human.
It found passion, it found violence,
first conflated, then
as separate emotions
and these were not

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

We managed. No need for the heroic.
There were the usual celebrations, the usual sorrows.
I don't remember all the particulars.
Across the fence, the neighbors were our chorus.

There were the usual celebrations, the usual sorrows

---anankta ton pantôn huperbal-
lonta chronon makarôn.
Pindar. Hymn. frag. 33


Spirit of the days of yore!
Thou! who, in thy haunted cave,
By the torrent's sounding shore,
Mark'st the autumnal tempest rave:
Or, where on some ivied wall
Twilight-mingled moonbeams fall,
Deep in aisles and cloisters dim,
Hear'st the grey monks' verpser hymn:
Or, beneath the cypress shade,
Where forgotten chiefs are laid,
Pacing slow with solemn tread,
Breathest the verse that wakes the dead---
By the ivied convent lone,

650

Pain—has an Element of Blank—
It cannot recollect
When it begun—or if there were
A time when it was not—

It has no Future—but itself—
Its Infinite contain
Its Past—enlightened to perceive
New Periods—of Pain.