(Field Marshal Lord Roberts of Kandahar)


There's a little red-faced man,
Which is Bobs,
Rides the talliest 'orse 'e can --
Our Bobs.
If it bucks or kicks or rears,
'E can sit for twenty years
With a smile round both 'is ears --
Can't yer, Bobs?

Then 'ere's to Bobs Bahadur -- little Bobs, Bobs, Bobs!
'E's our pukka Kandaharder --
Fightin' Bobs, Bobs, Bobs!
'E's the Dook of Aggy Chel;
'E's the man that done us well,
An' we'll follow 'im to 'ell --
Won't we, Bobs?

I stopped the car
to let the children down
where the streets end
in the sun
at the marsh edge
and the reeds begin
and there are small houses
facing the reeds
and the blue mist in the distance
with grapevine trellises
with grape clusters
small as strawberries
on the vines
and ditches
running springwater
that continue the gutters
with willows over them.
The reeds begin
like water at a shore
their pointed petals waving
dark green and light.
But blueflags are blossoming

Winter uses all the blues there are.
One shade of blue for water, one for ice,
Another blue for shadows over snow.
The clear or cloudy sky uses blue twice-
Both different blues. And hills row after row
Are colored blue according to how far.
You know the bluejay's double-blur device
Shows best when there are no green leaves to show.
And Sirius is a winterbluegreen star.

See my colors fall apart? Green
to yellow with just one shade gone,
the changing tints of your sun-struck eyes,
if there were sun. Today the prism held to mine’s

a prison, locking in the light. In one of those mirrors
the colors are true. In one of these pictures the pigment’s
my own. The sound there is aquarelle and indigo,
and dripping distant water, the day’s habitual failure

to be anything substantial. Today a blank like color
by numbers, filled in with fog that frames the lake
in transient tones. That’s the color I mean, some mist

The earth again like a ship steams out of the dark sea over
The edge of the blue, and the sun stands up to see us glide
Slowly into another day; slowly the rover
Vessel of darkness takes the rising tide.

I, on the deck, am startled by this dawn confronting
Me who am issued amazed from the darkness, stripped
And quailing here in the sunshine, delivered from haunting
The night unsounded whereon our days are shipped.

Feeling myself undawning, the day’s light playing upon me,
I who am substance of shadow, I all compact

MOVING-PICTURE ACTRESS

(After seeing the reel called "Oil and Water.")


Beauty has a throne-room
In our humorous town,
Spoiling its hob-goblins,
Laughing shadows down.
Rank musicians torture
Ragtime ballads vile,
But we walk serenely
Down the odorous aisle.
We forgive the squalor
And the boom and squeal
For the Great Queen flashes
From the moving reel.

Just a prim blonde stranger
In her early day,
Hiding brilliant weapons,
Too averse to play,
Then she burst upon us

As I lie at rest on a patch of clover
In the Western Park when the day is done.
I watch as the wild black swans fly over
With their phalanx turned to the sinking sun;
And I hear the clang of their leader crying
To a lagging mate in the rearward flying,
And they fade away in the darkness dying,
Where the stars are mustering one by one.
O ye wild black swans, 'twere a world of wonder
For a while to join in your westward flight,
With the stars above and the dim earth under,
Trough the cooling air of the glorious night.

They burned lime on the hill and dropped it down
here in an iron car
On a long cable; here the ships warped in
And took their loads from the engine, the water
is deep to the cliff. The car
Hangs half way over in the gape of the gorge,
Stationed like a north star above the peaks of
the redwoods, iron perch
For the little red hawks when they cease from
hovering
When they've struck prey; the spider's fling of a
cable rust-glued to the pulleys.
The laborers are gone, but what a good multitude

Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews--sons mine . . . ah God, I know not! Well--
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,

Small is the new-born plant scarce seen
Amid the soft encircling green,
Where yonder budding acorn rears,
Just o'er the waving grass, its tender head:
Slow pass along the train of years,
And on the growing plant, their dews and showers they shed.
Anon it rears aloft its giant form,
And spreads its broad-brown arms to meet the storm.
Beneath its boughs far shadowing o'er the plain,
From summer suns, repair the grateful village train.

Nor BEDFORD will my friend survey
The book of Nature with unheeding eye;