water

MOVING-PICTURE ACTRESS

(After seeing the reel called "Oil and Water.")


Beauty has a throne-room
In our humorous town,
Spoiling its hob-goblins,
Laughing shadows down.
Rank musicians torture
Ragtime ballads vile,
But we walk serenely
Down the odorous aisle.
We forgive the squalor
And the boom and squeal
For the Great Queen flashes
From the moving reel.

Just a prim blonde stranger
In her early day,
Hiding brilliant weapons,
Too averse to play,

As I lie at rest on a patch of clover
In the Western Park when the day is done.
I watch as the wild black swans fly over
With their phalanx turned to the sinking sun;
And I hear the clang of their leader crying
To a lagging mate in the rearward flying,
And they fade away in the darkness dying,
Where the stars are mustering one by one.
O ye wild black swans, 'twere a world of wonder
For a while to join in your westward flight,
With the stars above and the dim earth under,

Vanity, saith the preacher, vanity!
Draw round my bed: is Anselm keeping back?
Nephews--sons mine . . . ah God, I know not! Well--
She, men would have to be your mother once,
Old Gandolf envied me, so fair she was!
What's done is done, and she is dead beside,
Dead long ago, and I am Bishop since,
And as she died so must we die ourselves,
And thence ye may perceive the world's a dream.
Life, how and what is it? As here I lie
In this state-chamber, dying by degrees,

Small is the new-born plant scarce seen
Amid the soft encircling green,
Where yonder budding acorn rears,
Just o'er the waving grass, its tender head:
Slow pass along the train of years,
And on the growing plant, their dews and showers they shed.
Anon it rears aloft its giant form,
And spreads its broad-brown arms to meet the storm.
Beneath its boughs far shadowing o'er the plain,
From summer suns, repair the grateful village train.

Nor BEDFORD will my friend survey

Between the cliff-rise and the beach
A slip of emerald I own;
With fig and olive, almond, peach,
cherry and plum-tree overgrown;
Glad-watered by a crystal spring
That carols through the silver night,
And populous with birds who sing
Gay madrigals for my delight.
II
Some merchants fain would buy my land
To build a stately pleasure dome.
Poor fools! they cannot understand
how pricelessly it is my home!
So luminous with living wings,
So musical with feathered joy . . .

They burned lime on the hill and dropped it down
here in an iron car
On a long cable; here the ships warped in
And took their loads from the engine, the water
is deep to the cliff. The car
Hangs half way over in the gape of the gorge,
Stationed like a north star above the peaks of
the redwoods, iron perch
For the little red hawks when they cease from
hovering
When they've struck prey; the spider's fling of a
cable rust-glued to the pulleys.
The laborers are gone, but what a good multitude

It was passed from one bird to another,
the whole gift of the day.
The day went from flute to flute,
went dressed in vegetation,
in flights which opened a tunnel
through the wind would pass
to where birds were breaking open
the dense blue air -
and there, night came in.

When I returned from so many journeys,
I stayed suspended and green
between sun and geography -
I saw how wings worked,
how perfumes are transmitted
by feathery telegraph,
and from above I saw the path,

No song is this of leaf and bird,
And gracious waters flowing;
I'm sick at heart, for I have heard
Big Billy Vickers "blowing".
He'd never take a leading place
In chambers legislative:
This booby with the vacant face --
This hoddy-doddy native!

Indeed, I'm forced to say aside,
To you, O reader, solely,
He only wants the horns and hide
To be a bullock wholly.

But, like all noodles, he is vain;
And when his tongue is wagging,
I feel inclined to copy Cain,

Drunk on the dark streets of some city,
it's night, you're lost, where's your
room?
you enter a bar to find yourself,
order scotch and water.
damned bar's sloppy wet, it soaks
part of one of your shirt
sleeves.
It's a clip joint-the scotch is weak.
you order a bottle of beer.
Madame Death walks up to you
wearing a dress.
she sits down, you buy her a
beer, she stinks of swamps, presses
a leg against you.
the bar tender sneers.
you've got him worried, he doesn't
know if you're a cop, a killer, a

Ithaca, October 1993: Jorie went on a lingerie
tear, wanting to look like a moll
in a Chandler novel. Dinner, consisting of three parts gin
and one part lime juice cordial, was a prelude to her hair.
There are, she said, poems that can be written
only when the poet is clad in black underwear.

But that's Jorie for you. Always cracking wise, always where
the action is, the lights, and the sexy lingerie.
Poems, she said, were meant to be written
on the run, like ladders on the stockings of a gun moll