woman

Shall I wasting in despair
Die because a woman's fair?
Or make pale my cheeks with care
'Cause another's rosy are?
Be she fairer than the day,
Or the flow'ry meads in May,
If she be not so to me,
What care I how fair she be?

Shall my heart be griev'd or pin'd
'Cause I see a woman kind?
Or a well-disposed nature
Joined with a lovely feature?
Be she meeker, kinder, than
Turtle dove or pelican,
If she be not so to me,
What care I how kind she be?

Shall a woman's virtues move

I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been

‘What does a certain woman know of the hour of her death?’ - Mandelstam



Tallest, suavest of us, why Memory,
forcing you to appear from the past, pass
down a train, swaying, to find me
clear profiled through the window-glass?
Angel or bird? How we debated!
The poet thought you like translucent straw.
Through dark lashes, your eyes, Georgian,
looking, with gentleness, on it all.
Shade, forgive. Blue skies, Flaubert,
Insomnia, late-blooming lilac flower,
bring you, and the magnificence of the year,

Between the avenues of cypresses,
All in their scarlet cloaks, and surplices
Of linen, go the chaunting choristers,
The priests in gold and black, the villagers.

And all along the path to the cemetery
The round, dark heads of men crowd silently
And black-scarved faces of women-folk, wistfully
Watch at the banner of death, and the mystery.

And at the foot of a grave a father stands
With sunken head, and forgotten, folded hands;
And at the foot of a grave a woman kneels

What is it men in women do require?
The lineaments of Gratified Desire.
What is it women do in men require?
The lineaments of Gratified Desire.

The look of love alarms
Because 'tis fill'd with fire;
But the look of soft deceit
Shall Win the lover's hire.

Soft Deceit & Idleness,
These are Beauty's sweetest dress.

He who binds to himself a joy
Dot the winged life destroy;
But he who kisses the joy as it flies
Lives in Eternity's sunrise.


Submitted by Josh Horn

What need you, being come to sense,
But fumble in a greasy till
And add the halfpence to the pence
And prayer to shivering prayer, until
You have dried the marrow from the bone?
For men were born to pray and save:
Romantic Ireland's dead and gone,
It's with O'Leary in the grave.

Yet they were of a different kind,
The names that stilled your childish play,
They have gone about the world like wind,
But little time had they to pray
For whom the hangman's rope was spun,

However the battle is ended,
Though proudly the victor comes,
With flaunting flags and neighing nags
And echoing roll of drums;
Still truth proclaims this motto
In letters of living light,
No question is ever settled
Until it is settled right.

Though the heel of the strong oppressor
May grind the weak in the dust,
And the voices of fame with one acclaim
May call him great and just;
Let those who applaud take warning
And keep this motto in sight,
No question is ever settled

From the Greek Anthologies


Swifter than aught 'neath the sun the car of Simonides moved
him.
Two things he could not out-run--Death and a Woman who
loved him.

The happiest moment in a woman's life
Is when she hears the turn of her lover's key
In the lock, and pretends to be asleep
When he enters the room, trying to be
Quiet but clumsy, bumping into things,
And she can smell the liquor on his breath
But forgives him because she has him back
And doesn't have to sleep alone.

The happiest moment is a man's life
Is when he climbs out of bed
With a woman, after an hour's sleep,
After making love, and pulls on
His trousers, and walks outside,

A small striped sleeve in her lap,
navy and white,
needles carefully whipping in yarn
from two sides.
She reminds me of the wide-angled women
filled with calm
I pretended I was related to
in crowds.

In the next seat
a yellow burst of wool
grows into a hat with a tassel.
She looks young to crochet.
I'm glad history isn't totally lost.
Her silver hook dips gracefuly.

And when's the last time you saw
anyone sew a pocket onto a gray linen shirt
in public?