woman

Let the crows go by hawking their caw and caw.
They have been swimming in midnights of coal mines somewhere.
Let 'em hawk their caw and caw.

Let the woodpecker drum and drum on a hickory stump.
He has been swimming in red and blue pools somewhere hundreds of years
And the blue has gone to his wings and the red has gone to his head.
Let his red head drum and drum.

Let the dark pools hold the birds in a looking-glass.
And if the pool wishes, let it shiver to the blur of many wings, old swimmers from old places.

If a man could bite the giant hand
That catches and destroys him,
As I was bitten by a rat
While demonstrating my patent trap,
In my hardware store that day.
But a man can never avenge himself
On the monstrous ogre Life.
You enter the room--that's being born;
And then you must live--work out your soul,
Aha! the bait that you crave is in view:
A woman with money you want to marry,
Prestige, place, or power in the world.
But there's work to do and things to conquer--

I look at no one, me;
I pass them on the stair;
Shadows! I don't see;
Shadows! everywhere.
Haunting, taunting, staring, glaring,
Shadows! I don't care.
Once my room I gain
Then my life begins.
Shut the door on pain;
How the Devil grins!
Grin with might and main;
Grin and grin in vain;
Here's where Heav'n begins:
Cocaine! Cocaine!

A whiff! Ah, that's the thing.
How it makes me gay!
Now I want to sing,
Leap, laugh, play.
Ha! I've had my fling!
Mistress of a king

I'm one of these haphazard chaps
Who sit in cafes drinking;
A most improper taste, perhaps,
Yet pleasant, to my thinking.
For, oh, I hate discord and strife;
I'm sadly, weakly human;
And I do think the best of life
Is wine and song and woman.

Now, there's that youngster on my right
Who thinks himself a poet,
And so he toils from morn to night
And vainly hopes to show it;
And there's that dauber on my left,
Within his chamber shrinking --
He looks like one of hope bereft;

We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "~rowdy-dowdy-dow!~" --
"~Kiko kissywarsti~ don't you ~hamsher argy jow?~"*

* Why don't you get on?

Sweet water-moons, blown into lights
   Of flying gold on pool and creek,
And many sounds and many sights
   Of younger days are back this week.
I cannot say I sought to face
   Or greatly cared to cross again
The subtle spirit of the place
   Whose life is mixed with Rose Lorraine.

What though her voice rings clearly through
   A nightly dream I gladly keep,
No wish have I to start anew
   Heart fountains that have ceased to leap.
Here, face to face with different days,

Tracks of rain and light linger in
the spongy greens of a nature whose
flickering mountain--bulging nearer,
ebbing back into the sun
hollowing itself away to hold a lake,--
or brown stream rising and falling at the roadside, turning about,
churning itself white, drawing
green in over it,--plunging glassy funnels
fall--

And--the other world--
the windshield a blunt barrier:
Talk to me. Sh! they would hear us.
--the backs of their heads facing us--
The stream continues its motion of

When I first came to Spoon River
I did not know whether what they told me
Was true or false.
They would bring me an epitaph
And stand around the shop while I worked
And say "He was so kind," "He was wonderful,"
"She was the sweetest woman," "He was a consistent Christian."
And I chiseled for them whatever they wished,
All in ignorance of its truth.
But later, as I lived among the people here,
I knew how near to the life
Were the epitaphs that were ordered for them when they died.

I preached four thousand sermons,
I conducted forty revivals,
And baptized many converts.
Yet no deed of mine
Shines brighter in the memory of the world,
And none is treasured more by me:
Look how I saved the Blisses from divorce,
And kept the children free from that disgrace,
To grow up into moral men and women,
Happy themselves, a credit to the village.

Well, Emily Sparks, your prayers were not wasted,
Your love was not all in vain.
I owe whatever I was in life
To your hope that would not give me up,
To your love that saw me still as good.
Dear Emily Sparks, let me tell you the story.
I pass the effect of my father and mother;
The milliner's daughter made me trouble
And out I went in the world,
Where I passed through every peril known
Of wine and women and joy of life.
One night, in a room in the Rue de Rivoli,
I was drinking wine with a black-eyed cocotte,