woman

Samson, the strongest of the children of men, I sing; how he was foiled by woman's arts, by a false wife brought to the gates of death! O Truth! that shinest with propitious beams, turning our earthly night to heavenly day, from presence of the Almighty Father, thou visitest our darkling world with blessed feet, bringing good news of Sin and Death destroyed! O whiterobed Angel, guide my timorous hand to write as on a lofty rock with iron pen the words of truth, that all who pass may read.

Guns on the battle lines have pounded now a year
between Brussels and Paris.
And, William Morris, when I read your old chapter on
the great arches and naves and little whimsical
corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
you're down in the damp and mouldy, only a memory
instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
shape of those stones piled and carved for you to

Samson. A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of sun or shade.
There I am wont to sit, when any chance
Relieves me from my task of servile toil,
Daily in the common prison else enjoined me,
Where I, a prisoner chained, scarce freely draw
The air, imprisoned also, close and damp,
Unwholesome draught. But here I feel amends—
The breath of Heaven fresh blowing, pure and sweet,
With day-spring born; here leave me to respire.

Plunged in night, I sit alone
Eyeless on this dungeon stone,
Naked, shaggy, and unkempt,
Dreaming dreams no soul hath dreamt.

Rats and vermin round my feet
Play unharmed, companions sweet;
Spiders weave me overhead
Silken curtains for my bed.

Day by day the mould I smell
Of this fungus-blistered cell;
Nightly in my haunted sleep
O'er my face the lizards creep.

Gyves of iron scrape and burn
Wrists and ankles when I turn,
And my collared neck is raw

I reached the Alps: the soul within me burned
Italia, my Italia, at thy name:
And when from out the mountain's heart I came
And saw the land for which my life had yearned,
I laughed as one who some great prize had earned:
And musing on the story of thy fame
I watched the day, till marked with wounds of flame
The turquoise sky to burnished gold was turned
The pine-trees waved as waves a woman's hair,
And in the orchards every twining spray
Was breaking into flakes of blossoming foam:

Daily the cortege of crumpled
defunct cars
goes by by the lasagna-
layered flatbed
truckload: hardtop

reverting to tar smudge,
wax shine antiqued to crusted
winepress smear,
windshield battered to
intact ice-tint, a rarity

fresh from the Pleistocene.
I like it; privately
I find esthetic
satisfaction in these
ceremonial removals

from the category of
received ideas
to regions where pigeons'
svelte smoke-velvet
limousines, taxiing

They brought me ambrotypes
Of the old pioneers to enlarge.
And sometimes one sat for me—
Some one who was in being
When giant hands from the womb of the world
Tore the republic.
What was it in their eyes?—
For I could never fathom
That mystical pathos of drooped eyelids,
And the serene sorrow of their eyes.
It was like a pool of water,
Amid oak trees at the edge of a forest,
Where the leaves fall,
As you hear the crow of a cock
From a far-off farm house, seen near the hills

In the slums of Tondo, people dwell
in shacks of cardboard, bits of bamboo,
corrugated metal, and a few cement blocks.

They come from all the provinces--
a farmer’s son from Cagayan,
a coal miner from Bulacan,

a field hand from the banana plantations
of Davao. They come to Manila
for work, for better pay.

The highest incidence of men
running amok is in Tondo,
or at least, that’s what the local tabloids

have for headlines every week. Amok in Tondo

A True Incident of Pre-Revolutionary French History.


Now the lovely autumn morning breathes its freshness in earth's face,
In the crowned castle courtyard the blithe horn proclaims the chase;
And the ladies on the terrace smile adieux with rosy lips
To the huntsmen disappearing down the cedar-shaded groves,
Wafting delicate aromas from their scented finger tips,
And the gallants wave in answer, with their gold-embroidered gloves.
On they rode, past bush and bramble, on they rode, past elm and oak;

I left thee last, a child at heart,
   A woman scarce in years:
I come to thee, a solemn corpse
   Which neither feels nor fears.
I have no breath to use in sighs;
They laid the dead-weights on mine eyes
   To seal them safe from tears.

Look on me with thine own calm look:
   I meet it calm as thou.
No look of thine can change this smile,
   Or break thy sinful vow:
I tell thee that my poor scorn'd heart
Is of thine earth--thine earth--a part:
   It cannot vex thee now.