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Her—"last Poems"—
Poets—ended—
Silver—perished—w ith her Tongue—
Not on Record—bubbled other,
Flute—or Woman—
So divine—
Not unto its Summer—Morning
Robin—uttered Half the Tune—
Gushed too free for the Adoring—
From the Anglo-Florentine—
Late—the Praise—
'Tis dull—conferring
On the Head too High to Crown—
Diadem—or Ducal Showing—
Be its Grave—sufficient sign—
Nought—that We—No Poet's Kinsman—
Suffocate—with easy woe—
What, and if, Ourself a Bridegroom—
Put Her down—in Italy?

Who comes to-night? We open the doors in vain.
Who comes? My bursting walls, can you contain
The presences that now together throng
Your narrow entry, as with flowers and song,
As with the air of life, the breath of talk?
Lo, how these fair immaculate women walk
Behind their jocund maker; and we see
Slighted De Mauves, and that far different she,
Gressie, the trivial sphynx; and to our feast
Daisy and Barb and Chancellor (she not least!)
With all their silken, all their airy kin,
Do like unbidden angels enter in.

Mary and I were twenty-two
When we were wed;
A well-matched pair, right smart to view
The town's folk said.
For twenty years I have been true
To nuptial bed.
II
But oh alas! The march of time,
Life's wear and tear!
Now I am in my lusty prime
With pep to spare,
While she looks ten more years than I'm,
With greying hair.
III
'Twas on our trip dear friends among,
To New Orleans,
A stranger's silly trip of tongue
Kiboshed my dreams:

There was a red star stone, old poets feign,
Hung on the neck of Helen, the most fair
Of women, the world's wonder; gathering there,
Dripped ever one bright drop of blood; like rain
That ere it fails blows into mist again.
The crimson gout melted to roseate air,
And that divine white bosom, proudly bare,
Of all the woe it cost bore never a stain.
So you, serene and beauteous lady, rove
'Mid throngs of luckless ones who gaze and die.
And not a tremor of heartbreak, not a sigh
Nor strangling sob of strong men whelmed in love

What phantom is this that appears
Through the purple mist of the years,
Itself but a mist like these?
A woman of cloud and of fire;
It is she; it is Helen of Tyre,
The town in the midst of the seas.
II
O Tyre! in thy crowded streets
The phantom appears and retreats,
And the Israelites that sell
Thy lilies and lions of brass,
Look up as they see her pass,
And murmur "Jezebel!"
III
Then another phantom is seen
At her side, in a gray gabardine,
With beard that floats to his waist;
It is Simon Magus, the Seer;

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice

Wild flight on flight against the fading dawn
The flames' red wings soar upward duskily.
This is the funeral pyre and Troy is dead
That sparkled so the day I saw it first,
And darkened slowly after. I am she
Who loves all beauty -- yet I wither it.
Why have the high gods made me wreak their wrath --
Forever since my maidenhood to sow
Sorrow and blood about me? Lo, they keep
Their bitter care above me even now.
It was the gods who led me to this lair,
That tho' the burning winds should make me weak,

Lo, haply walking in some clattering street--
Where throngs of men and women dumbly pass,
Like shifting pictures seen within a glass
Which leave no trace behind--one seems to meet,
In roads once trodden by our mutual feet,
A face projected from that shadowy mass
Of faces, quite familiar as it was,
Which beaming on us stands out clear and sweet.

The face of faces we again behold
That lit our life when life was very fair,
And leaps our heart toward eyes and mouth and hair:
Oblivious of the undying love grown cold,

Haunted? Ay, in a social way
By a body of ghosts in dread array;
But no conventional spectres they -
Appalling, grim, and tricky:
I quail at mine as I'd never quail
At a fine traditional spectre pale,
With a turnip head and a ghostly wail,
And a splash of blood on the dickey!

Mine are horrible, social ghosts, -
Speeches and women and guests and hosts,
Weddings and morning calls and toasts,
In every bad variety:
Ghosts who hover about the grave
Of all that's manly, free, and brave:
You'll find their names on the architrave

I heard a woman's lips
Speaking to a companion
Say these words:

"A woman what hustles
Never keeps nothin'
For all her hustlin'.
Somebody always gets
What she goes on the street for.
If it ain't a pimp
It's a bull what gets it.
I been hustlin' now
Till I ain't much good any more.
I got nothin' to show for it.
Some man got it all,
Every night's hustlin' I ever did."