women

I tell a wanderer's tale, the same
I began long ago, a boy in a barn,
I am always lost in it. THe place
is always strange to me. In my pocket

the wrong money or none, the wrong paper,
maps of another town, the phrase book
for yesterday's language, just a ticket
to the next station, and my instructions.

In the lobby of the Banco Bilbao
a dark woman will slip me a key, a package,
the name of a hotel, a numbered account,
the first letters of an unknown alphabet.

Come, madam, come, all rest my powers defy,
Until I labor, I in labor lie.
The foe oft-times having the foe in sight,
Is tired with standing though he never fight.
Off with that girdle, like heaven's zone glistering,
But a far fairer world encompassing.
Unpin that spangled breastplate which you wear,
That th' eyes of busy fools may be stopped there.
Unlace yourself, for that harmonious chime
Tells me from you that now it is bed time.
Off with that happy busk, which I envy,
That still can be, and still can stand so nigh.

Come, madam, come, all rest my powers defy,
Until I labor, I in labor lie.
The foe oft-times having the foe in sight,
Is tired with standing though he never fight.
Off with that girdle, like heaven's zone glistering,
But a far fairer world encompassing.
Unpin that spangled breastplate which you wear,
That th' eyes of busy fools may be stopped there.
Unlace yourself, for that harmonious chime
Tells me from you that now it is bed time.
Off with that happy busk, which I envy,
That still can be, and still can stand so nigh.

I was among multitudes of children
Dancing at the foot of a mountain.
A breeze blew out of the east and swept them as leaves,
Driving some up the slopes.... All was changed.
Here were flying lights, and mystic moons, and dream-music.
A cloud fell upon us. When it lifted all was changed.
I was now amid multitudes who were wrangling.
Then a figure in shimmering gold, and one with a trumpet,
And one with a sceptre stood before me.
They mocked me and danced a rigadoon and vanished....

I want to erase your footprints
from my walls. Each pillow
is thick with your reasons. Omens

fill the sidewalk below my window: a woman
in a party hat, clinging
to a tin-foil balloon. Shadows

creep slowly across the tar, someone yells, "Stop!"
and I close my eyes. I can't watch

as this town slowly empties, leaving me
strung between bon-voyages, like so many clothes
on a line, the white handkerchief

stuck in my throat. You know the way Jesus

rips open his shirt

The clock disserts on punctuation, syntax.
The clock's voice, thin and dry, asserts, repeats.
The clock insists: a lecturer demonstrating,
Loudly, with finger raised, when the class has gone.

But time flows through the room, light flows through the room
Like someone picking flowers, like someone whistling
Without a tune, like talk in front of a fire,
Like a woman knitting or a child snipping at paper.


Submitted by Stephen Fryer

Emmy's exquisite youth and her virginal air,
Eyes and teeth in the flash of a musical smile,
Come to me out of the past, and I see her there
As I saw her once for a while.

Emmy's laughter rings in my ears, as bright,
Fresh and sweet as the voice of a mountain brook,
And still I hear her telling us tales that night,
Out of Boccaccio's book.

There, in the midst of the villainous dancing-hall,
Leaning across the table, over the beer,
While the music maddened the whirling skirts of the ball,

Coming home with the last load I ride standing
on the wagon tongue, behind the tractor
in hot exhaust, lank with sweat,


my arms strung
awkwardly along the hayrack, cruciform.
Almost 5OO bales we've put up


this afternoon, Marshall and I.
And of course I think of another who hung
like this on another cross. My hands are torn


by baling twine, not nails, and my side is pierced
by my ulcer, not a lance. The acid in my throat
is only hayseed. Yet exhaustion and the way

MACPHAIRSON CLONGLOCKETTY ANGUS McCLAN
Was the son of an elderly labouring man;
You've guessed him a Scotchman, shrewd reader, at sight,
And p'r'aps altogether, shrewd reader, you're right.

From the bonnie blue Forth to the lovely Deeside,
Round by Dingwall and Wrath to the mouth of the Clyde,
There wasn't a child or a woman or man
Who could pipe with CLONGLOCKETTY ANGUS McCLAN.

No other could wake such detestable groans,
With reed and with chaunter - with bag and with drones:

Who ever loves, if he do not propose
The right true end of love, he's one that goes
To sea for nothing but to make him sick.
Love is a bear-whelp born: if we o'erlick
Our love, and force it new strange shapes to take,
We err, and of a lump a monster make.
Were not a calf a monster that were grown
Faced like a man, though better than his own?
Perfection is in unity: prefer
One woman first, and then one thing in her.
I, when I value gold, may think upon
The ductileness, the application,