Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature's earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;

Who throve and branch'd from clime to clime,

Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,

I

The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.

II

I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,

Strahan, Tonson, Lintot of the times,
Patron and publisher of rhymes,
For thee the bard up Pindus climbs,
My Murray.
To thee, with hope and terror dumb,
The unfledged MS. authors come;
Thou printest all-and sellest some-
My Murray.
Upon thy table's baize so green
The last new Quarterly is seen,-
But where is thy new Magazine,
My Murray?

Along thy sprucest bookshelves shine
The works thou deemest most divine-
The "Art of Cookery,"and mine,
My Murray.

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
How shall the Muse, from such a monarch steal
An hour, and not defraud the public weal?
Edward and Henry, now the boast of fame,
And virtuous Alfred, a more sacred name,
After a life of gen'rous toils endur'd,
The Gaul subdu'd, or property secur'd,

she's young, she said,
but look at me,
I have pretty ankles,
and look at my wrists, I have pretty
wrists
o my god,
I thought it was all working,
and now it's her again,
every time she phones you go crazy,
you told me it was over
you told me it was finished,
listen, I've lived long enough to become a
good woman,
why do you need a bad woman?
you need to be tortured, don't you?
you think life is rotten if somebody treats you
rotten it all fits,
doesn't it?
tell me, is that it? do you want to be treated like a

In the Book of God (Ilahi-nama) 'Attar framed his mystical teachings in various stories that a caliph tells his six sons, who are kings themselves and seek worldly pleasures and power.
The first son is captivated by a virgin princess, and his father tells him the adventures of a beautiful and virtuous woman who attracts several men but miraculously survives their abuse and then forgives them. They acknowledge that carnal desire is necessary to propagate the race but also recognize that passionate love can lead to spiritual love, which can annihilate the soul in the beloved.

If I should die this night, (as well might be,
So pain has on my weakness worked its will),
And they should come at morn and look on me

Lying more white than I am wont, and still
In the strong silence of unchanging sleep,
And feel upon my brow the deepening chill,

And know me gathered to His time-long keep,
The quiet watcher over all men's rest,
And weep as those around a death-bed weep --

There would no anguish throb my vacant breast,
No tear-drop trickle down my stony cheek,

If you refuse me once, and think again,
I will complain.
You are deceiv'd, love is no work of art,
It must be got and born,
Not made and worn,
By every one that hath a heart.

Or do you think they more than once can die,
Whom you deny?
Who tell you of a thousand deaths a day,
Like the old poets feign
And tell the pain
They met, but in the common way?

Or do you think 't too soon to yield,
And quit the field?
Nor is that right, they yield that first entreat;
Once one may crave for love,
But more would prove

God, if this were enough,
That I see things bare to the buff
And up to the buttocks in mire;
That I ask nor hope nor hire,
Nut in the husk,
Nor dawn beyond the dusk,
Nor life beyond death:
God, if this were faith!
II
Having felt thy wind in my face
Spit sorrow and disgrace,
Having seen thine evil doom
In Golgotha and Khartoum,
And the brutes, the work of thine hands,
Fill with injustice lands
And stain with blood the sea:
If still in my veins the glee
Of the black night and the sun
And the lost battle, run: