Choriambics I

Ah! not now, when desire burns, and the wind calls, and the suns of spring
Light-foot dance in the woods, whisper of life, woo me to wayfaring;
Ah! not now should you come, now when the road beckons,
and good friends call,
Where are songs to be sung, fights to be fought, yea! and the best of all,
Love, on myriad lips fairer than yours, kisses you could not give! . . .
Dearest, why should I mourn, whimper, and whine, I that have yet to live?
Sorrow will I forget, tears for the best, love on the lips of you,


Children's Song

We live in our own world,
A world that is too small
For you to stoop and enter
Even on hands and knees,
The adult subterfuge.
And though you probe and pry
With analytic eye,
And eavesdrop all our talk
With an amused look,
You cannot find the centre
Where we dance, where we play,
Where life is still asleep
Under the closed flower,
Under the smooth shell
Of eggs in the cupped nest
That mock the faded blue
Of your remoter heaven.


Submitted by Andrew Mayers


Child in Red

Sometimes she walks through the village in her
little red dress
all absorbed in restraining herself,
and yet, despite herself, she seems to move
according to the rhythm of her life to come.

She runs a bit, hesitates, stops,
half-turns around...
and, all while dreaming, shakes her head
for or against.

Then she dances a few steps
that she invents and forgets,
no doubt finding out that life
moves on too fast.

It's not so much that she steps out
of the small body enclosing her,


Celia Beeding, To the Surgeon

Fond man, that canst believe her blood
Will from those purple channels flow;
Or that the pure untainted flood
Can any foul distemper know;
Or that thy weak steel can incise
The crystal case wherein it lies:

Know, her quick blood, proud of his seat,
Runs dancing through her azure veins;
Whose harmony no cold nor heat
Disturbs, whose hue no tincture stains:
And the hard rock wherein it dwells
The keenest darts of love repels.

But thou repli'st, "behold, she bleeds!"


Cassidy's Epitaph

Here lies a bloke who's just gone West,
A Number One Australian;
He took his gun and did his best
To mitigate the alien.
So long as he could get to work
He needed no sagacity;
A German, Austrian, or Turk,
Were all the same to Cassidy.
Wherever he could raise "the stuff"
-- A liquor deleterious --
The question when he'd have enough
Was apt to be mysterious.
'Twould worry prudent folks a lot
Through mental incapacity;
If he could keep it down or not,
Was all the same to Cassidy.


Cassandra

O Hymen king.

Hymen, O Hymen king,
what bitter thing is this?
what shaft, tearing my heart?
what scar, what light, what fire
searing my eye-balls and my eyes with flame?
nameless, O spoken name,
king, lord, speak blameless Hymen.

Why do you blind my eyes?
why do you dart and pulse
till all the dark is home,
then find my soul
and ruthless draw it back?
scaling the scaleless,
opening the dark?
speak, nameless, power and might;
when will you leave me quite?


Captain Reece

Of all the ships upon the blue,
No ship contained a better crew
Than that of worthy CAPTAIN REECE,
Commanding of THE MANTELPIECE.

He was adored by all his men,
For worthy CAPTAIN REECE, R.N.,
Did all that lay within him to
Promote the comfort of his crew.

If ever they were dull or sad,
Their captain danced to them like mad,
Or told, to make the time pass by,
Droll legends of his infancy.

A feather bed had every man,
Warm slippers and hot-water can,


But in the Wine-presses the Human Grapes Sing not nor Dance

But in the Wine-presses the human grapes sing not nor dance:
They howl and writhe in shoals of torment, in fierce flames consuming,
In chains of iron and in dungeons circled with ceaseless fires,
In pits and dens and shades of death, in shapes of torment and woe:
The plates and screws and racks and saws and cords and fires and cisterns
The cruel joys of Luvah's Daughters, lacerating with knives
And whips their victims, and the deadly sport of Luvah's Sons.


Ca' the Yowes to the Knowes

1 Ca' the yowes to the knowes,
2 Ca' them where the heather grows
3 Ca' them where the burnie rows,
4 My bonie dearie.

5 Hark! the mavis' evening sang
6 Sounding Cluden's woods amang,
7 Then a-fauldin let us gang,
8 My bonie dearie.

9 We'll gae down by Cluden side,
10 Thro' the hazels spreading wide,
11 O'er the waves that sweetly glide
12 To the moon sae clearly.

13 Yonder Cluden's silent towers,


Brown Bess

The Army Musket--1700-1815


In the days of lace-ruffles, perukes and brocade
Brown Bess was a partner whom none could despise--
An out-spoken, flinty-lipped, brazen-faced jade,
With a habit of looking men straight in the eyes--
At Blenheim and Ramillies fops would confess
They were pierced to the heart by the charms of Brown Bess.

Though her sight was not long and her weight was not small,
Yet her actions were winning, her language was clear;
And everyone bowed as she opened the ball


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