"Oh, dear, with the just unfolded tender leaflets of Mango trees as his incisive arrows, and with shining strings of honeybees as his bowstring, the assailant named Vasanta came very nigh, to afflict the hearts of those that are fully engaged in affairs of lovemaking...
"Oh, dear, now the kingly monsoon is onset with its clouds containing raindrops, as its ruttish elephants in its convoy, and with skyey flashes of lighting as its pennants and buntings, and with the thunders of thunderbolts as its percussive drumbeats, thus this rainy season has come to pass, radiately shining forth like a king, for the delight of voluptuous people...
"Oh, dear, this utterly sweltering season of the highly rampant sun is drawing nigh, and it will always be good enough to go on taking daytime baths, as the lakes and rivers will still be with plenteous waters, and at the end of the day, nightfall will be pleasant with fascinating moon, and in such nights Love-god can somehow be almost mollified...[who tortured us in the previous vernal season... but now without His sweltering us, we can happily enjoy the nights devouring cool soft drinks and dancing and merrymaking in outfields...]
I heard or seemed to hear the chiding Sea
Say, Pilgrim, why so late and slow to come?
Am I not always here, thy summer home?
Is not my voice thy music, morn and eve?
My breath thy healthful climate in the heats,
My touch thy antidote, my bay thy bath?
Was ever building like my terraces?
Was ever couch magnificent as mine?
Lie on the warm rock-ledges, and there learn
A little hut suffices like a town.
I make your sculptured architecture vain,
Vain beside mine. I drive my wedges home,
And carve the coastwise mountain into caves.
Give thou a gift to me
From thy treasure-house, O sea!
Said a red-lipped laughing girl
While the summer yet was young;
And the sea laughed back and flung
At her feet a priceless pearl.
Give thou a gift to me
From thy treasure-house, O sea!
Said the maiden once again
On a night of wind and rain.
Like a ghost the moon above her
Stared through winding-sheets of cloud.
On the sand in sea-weed shroud,
Lay the pale corpse of her lover.
Which is better, gain or loss?
1
(Windless Summer)
Between the glass panes of the sea are pressed
Patterns of fronds, and the bronze tracks of fishes.
2
(Winter)
Foam-ropes lasso the seal-black shiny rocks,
Noosing, slipping and noosing again for ever.
3
(Windy Summer)
Over-sea going, under returning, meet
And make a wheel, a shell, to hold the sun.
Submitted by Stephen Fryer
Argument.
To leap from the promontory of LEUCADIA was believed by the Greeks to be
a remedy for hopeless love, if the self-devoted victim escaped with
life. Artemisia lost her life in the dangerous experiment: and Sappho is
said thus to have perished, in attempting to cure her passion for Phaon.
SAPPHO
(Scene the promontory of Leucadia.)
This is the spot:--'tis here Tradition says
That hopeless Love from this high towering rock
Leaps headlong to Oblivion or to Death.
Oh 'tis a giddy height! my dizzy head
LIKE to Diana in her summer weed,
Girt with a crimson robe of brightest dye,
Goes fair Samela.
Whiter than be the flocks that straggling feed
When wash'd by Arethusa faint they lie,
Is fair Samela.
As fair Aurora in her morning grey,
Deck'd with the ruddy glister of her love
Is fair Samela;
Like lovely Thetis on a calmed day
Whenas her brightness Neptune's fancy move,
Shines fair Samela.
Come all you little rouseabouts and climb upon my knee;
To-day, you see, is Christmas Day, and so it’s up to me
To give you some instruction like—a kind of Christmas tale—
So name your yarn, and off she goes. What, “Jonah and the Whale”?
Well, whales is sheep I’ve never shore; I’ve never been to sea,
So all them great Leviathans is mysteries to me;
But there’s a tale the Bible tells I fully understand,
About the time the Patriarchs were settling on the land.
Those Patriarchs of olden time, when all is said and done,
Sad-Eyed and soft and grey thou art, o morn!
Across the long grass of the marshy plain
Thy west wind whispers of the coming rain,
Thy lark forgets that May is grown forlorn
Above the lush blades of the springing corn,
Thy thrush within the high elms strives in vain
To store up tales of spring for summer's pain -
Vain day, why wert thou from the dark night born?
O many-voiced strange morn, why must thou break
With vain desire the softness of my dream
Where she and I alone on earth did seem?
How hadst thou heart from me that land to take