water

Although thy hand and faith, and good works too,
Have seal'd thy love which nothing should undo,
Yea though thou fall back, that apostasy
Confirm thy love; yet much, much I fear thee.
Women are like the Arts, forc'd unto none,
Open to'all searchers, unpriz'd, if unknown.
If I have caught a bird, and let him fly,
Another fouler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him, nor me.
Foxes and goats; all beasts change when they please,

(My student, thrown by a horse)

I remember the neckcurls, limp and damp as tendrils;
And her quick look, a sidelong pickerel smile;
And how, once started into talk, the light syllables leaped for her.
And she balanced in the delight of her thought,
A wren, happy, tail into the wind,
Her song trembling the twigs and small branches.
The shade sang with her;
The leaves, their whispers turned to kissing,
And the mould sang in the bleached valleys under the rose.

There will be rose and rhododendron
When you are dead and under ground;
Still will be heard from white syringas
Heavy with bees, a sunny sound;

Still will the tamaracks be raining
After the rain has ceased, and still
Will there be robins in the stubble,
Brown sheep upon the warm green hill.

Spring will not ail nor autumn falter;
Nothing will know that you are gone,
Saving alone some sullen plough-land
None but yourself sets foot upon;

Saving the may-weed and the pig-weed

(A.D. 687)


Eddi, priest of St. Wilfrid
In his chapel at Manhood End,
Ordered a midnight service
For such as cared to attend.

But the Saxons were keeping Christmas,
And the night was stormy as well.
Nobody came to service,
Though Eddi rang the bell.

"'Wicked weather for walking,"
Said Eddi of Manhood End.
"But I must go on with the service
For such as care to attend."

The altar-lamps were lighted, --
An old marsh-donkey came,
Bold as a guest invited,

If, in an odd angle of the hutment,
A puppy laps the water from a can
Of flowers, and the drunk sergeant shaving
Whistles O Paradiso!--shall I say that man
Is not as men have said: a wolf to man?

The other murderers troop in yawning;
Three of them play Pitch, one sleeps, and one
Lies counting missions, lies there sweating
Till even his heart beats: One; One; One.
O murderers! . . . Still, this is how it's done:

This is a war . . . But since these play, before they die,

Eclogue the First.

Whanne Englonde, smeethynge from her lethal wounde,
From her galled necke dyd twytte the chayne awaie,
Kennynge her legeful sonnes falle all arounde,
(Myghtie theie fell, 'twas Honoure ledde the fraie,)
Thanne inne a dale, bie eve's dark surcote graie,
Twayne lonelie shepsterres dyd abrodden flie,
(The rostlyng liff doth theyr whytte hartes affraie,)
And whythe the owlette trembled and dyd crie;
Firste Roberte Neatherde hys sore boesom stroke,
Then fellen on the grounde and thus yspoke.

SCENE, the Desert TIME, Mid-day
10 In silent horror o'er the desert-waste
The driver Hassan with his camels passed.
One cruse of water on his back he bore,
And his light scrip contained a scanty store;
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the middle sky,
And not a tree and not an herb was nigh.
The beasts with pain their dusty way pursue,
Shrill roared the winds and dreary was the view!

O FLY thee from the shades of night,
Where the loud tempests yelling rise;
Where horrror wings her sullen flight
Beneath the bleak and lurid skies.

As the pale light'ning swiftly gleams
O'er the scorch'd wood, thy well-known form
More radiant than an angel seems,
Contending with the ruthless storm.

I see the scowling witch, DESPAIR
Drink the big tear that scalds thy cheek;
While thro' the dark and turbid air,
The screams of haggard ENVY break.

From the cold mountain's flinty steep,

Do not look for the stones
in water above the mud,
the boat is gone.
No longer with nets and baskets
the river is dotted.
The sun wick,
the marsh marigold flickered out in rain.

Only the willow still bears witness,
in its roots
the secrets of tramps lie hidden,
their paltry treasures,
a rusty fishhook,
a bottle full of sand,
a tine with no bottom,
in which to preserve
conversations long forgotten.

On the boughs,
empty nests of the penduline titmice,

a stone at dawn
cold water in the basin
these walls' rough plaster
imageless
after the hammering
of so much insistence
on the need for naming
after the travesties
that passed as faces,
grace: the unction
of sheer nonexistence
upwelling in this
hyacinthine freshet
of the unnamed
the faceless